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Kingsfold: Concert Band Conductor Score & Parts

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Kingsfold: Concert Band Conductor Score & Parts

Traditional English Folk Song / arr. David Marlatt

Grade: 2

Item: 81-CB29137

$52.00
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Description
This beautiful folk song has been used as the melody for several popular hymns, including "I Heard the Voice of Jesus Say," "O Sing a Song of Bethlehem," "I Feel the Winds of God Today" and several others. This arrangement is opened by a solo trumpet with a sense of a lone player on the top of a hill surrounded by mist. The tune is then played in a brass quartet voicing leading to other variations and rescorings. Ending, as it began, very peacefully and reflectively.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 102
ISBN10: 1-55473-386-3
ISBN13: 978-1-55473-386-6
UPC: 685462013876
SKU: 81-CB29137

More about this title

Why we love this

Marlatt's treatment respects the hymn tune's meditative character while giving it concert band texture and drama. The solo trumpet opening immediately sets a vivid scene, and the progression from intimate to ensemble voicing creates natural pacing that holds an audience without requiring flashy virtuosity. It's the kind of piece that sounds reflective and skilled without demanding excessive rehearsal time.

What to expect

A solitary figure calling out across misty terrain, then gradually gathering others into a shared moment of quiet wonder. The piece feels intimate even when the full band plays, held together by the grace of the melody and Marlatt's restrained orchestration. It lingers after the final note.

Who it's for

Concert bands working at Grade 2 who want a piece that combines accessibility with emotional substance. It works especially well for groups seeking music suitable for memorial services, quiet reflective concerts, or programs that benefit from a moment of stillness amid more energetic selections.

How to get the most out of it

  • Balance the opening trumpet solo so it reads as solitary and searching, not abandoned. The band should enter gently in the brass quartet passage, supporting rather than overwhelming the melody.
  • Shape the varied rescorings with slight dynamic and tonal shifts. Each re-voicing is an opportunity to draw the listener's ear to a new instrumental color without losing the tune's essential character.
  • Return to the peaceful close with genuine restraint. Avoid rallying or crescendoing into the final moments; let the reflection deepen.

How to use it

Place this in the second half of a concert where it can provide contrast and breathing room. Its hymn-tune roots and gentle progression make it particularly effective preceding or following patriotic selections, or as a centerpiece for a program organized around reflection and community.

Skills your students will build

  • Phrasing and shaping a well-known melody across multiple voicings
  • Listening across the ensemble to maintain tonal blend while sustaining legato lines
  • Executing solo passages with confidence and lyricism
  • Understanding how orchestration and rescoring can deepen musical meaning

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