Kingsfold Cover Image

Kingsfold: Brass Quintet Score & Parts

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Kingsfold: Brass Quintet Score & Parts

Traditional English Folk Song / arr. David Marlatt

Level: Medium

Item: 81-BQ17445

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Description
This arrangement is opened by a solo trumpet with a sense of a lone player on the top of a hill surrounded by mist. The tune is then played in full quartet voicing leading to other variations and rescorings. It ends as it began, very peacefully and reflectively. This beautiful folk song has been used as the melody for several popular hymns including "I Heard the Voice of Jesus Say," "O Sing a Song of Bethlehem," "I Feel the Winds of God Today," and more.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-391-0
ISBN13: 978-1-77157-391-7
UPC: 685462023929
SKU: 81-BQ17445
Instrumentation: Brass Quintet & Organ

More about this title

Why we love this

Marlatt treats this beloved hymn tune with real sophistication, building from intimate vulnerability to full ensemble voice without ever losing the reflection that makes Kingsfold so enduring. The journey from solo trumpet through varied voicings gives conductors a natural arc for programming and gives players meaningful musical dialogue across the quintet.

What to expect

The opening is solitary and contemplative, almost gazing out across an empty landscape. As the ensemble enters, warmth builds gradually through varied rescorings, each one revealing a new facet of the melody. The return to that lone trumpet feels like coming home, quieter and more at peace than the beginning.

Who it's for

Brass quintet ensembles seeking accessible medium-level repertoire with liturgical or concert context. This arrangement works equally well for college chamber ensembles, advanced high school brass students, or community brass bands looking for festival-worthy programming.

How to get the most out of it

  • Shape the opening trumpet solo with space and air; let the mist imagery guide your tone, not rushing the phrase even as the accompaniment enters gently behind it.
  • Balance the full quartet voicing carefully so the melody remains audible; this is arrangement work where texture matters as much as the tune itself.
  • Find the breathing points in each variation before rehearsal begins, marking them clearly so ensemble members understand where the piece breathes between sections.
  • Control the dynamic return to the closing solo passage; the 'very peacefully' finish should feel earned, not abrupt.

How to use it

Program this as a concert opener or closer; its reflective character serves both functions, or pair it with other brass quintet literature to build a thematic set around hymn tune arrangements. It also sits comfortably in liturgical settings or memorial services where its sacred heritage and emotional restraint deepen the context.

Skills your students will build

  • Balance between solo and ensemble texture
  • Dynamic control and sustained phrasing at medium and soft dynamics
  • Following melodic variations across different quintet voicings
  • Coordinating breath marks and sustain points in an arrangement with multiple rescorings

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