Fascinating Rhythm: Choral Octavo SoundTrax CD

Mark Hayes's arrangement captures the propulsive energy of the original while reshaping it for contemporary choral voices. The blend of Latin and swing idioms keeps the piece from feeling dated and gives singers a genuine taste of the stylistic variety Gershwin mastered. Programming this alongside other jazz standards or American songbook selections provides students with repertoire that sounds fresh, feels achievable, and genuinely excites an audience.

Infectious and propulsive, with a swagger that comes from the interplay of Latin percussion and swing phrasing. The melody bounces with the kind of rhythmic wit that made Gershwin famous: it sits just slightly behind the beat, making straightforward singing feel sophisticated. There's joy in the piece, but also sophistication—it never feels frivolous or simply fun-house music.

This octavo suits choral ensembles at the intermediate to advanced level who want stylistically informed repertoire beyond the typical Broadway medley. Singers with some experience reading syncopation and rhythmic independence will thrive here. It works particularly well for groups preparing a jazz or American music concert, or for directors seeking a high-engagement opener that appeals to singers and audiences alike.

• Establish the Latin rhythm section clearly in early rehearsals; lock the percussion and bass parts before adding the full ensemble so the groove feels secure rather than rushed.
• Balance clarity in the syncopated figures against the smoother swing passages. These style shifts should feel intentional and controlled, not accidental.
• Use the recorded accompaniment during sectional rehearsals to help singers hear their parts in context and internalize the rhythmic pocket.
• Shape phrases through the lyrics rather than by dynamics alone. Gershwin's melodies are meant to be spoken-sung, so articulation and text clarity drive the energy forward.

Open a concert or revue with this piece to establish energy and show your ensemble's rhythmic confidence early. It pairs beautifully with other Gershwin standards, Cole Porter, or Duke Ellington if you're programming an American music focus. The recorded accompaniment also makes it accessible for smaller ensembles or as a feature for upper-level singers while other groups prepare.

• Syncopation and rhythmic independence within a groove-based context
• Swing and Latin rhythmic styles and how to articulate them distinctly
• Stylistic balance between legit singing and rhythmic speak-singing
• Part independence and ensemble listening in complex harmonic textures
• Confidence with jazz-influenced harmony and contemporary vocal arranging