Fascinating Rhythm Sheet Music Preview

Fascinating Rhythm: Choral SoundPax

Music and lyrics by George Gershwin and Ira Gershwin / arr. Mark Hayes

Item: 00-PK-0005682

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Description
First introduced in the Broadway musical Lady Be Good, this Gershwin hit has been covered by Rosemary Clooney, Michael Feinstein, The Four Tops, and many more. Mark's exciting arrangement effectively includes everything from Latin rhythm to Swing!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Fascinating Rhythm: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 144
SKU: 00-PK-0005682
Instrumentation: SoundPax

More about this title

About the Composer: George Gershwin

George Gershwin (1898, 1937) bridged concert music and popular song with a facility that few composers have matched. His melodies became standards precisely because they combined sophistication with immediate appeal, and his harmonic language introduced jazz idioms into contexts where they hadn't previously belonged. For music educators, Gershwin represents a crucial moment when the boundaries between "classical" and "vernacular" began to dissolve, making him essential repertoire for understanding twentieth-century American music.

Gershwin's output was astonishingly productive despite his short life. He composed for Broadway, wrote concert works like Rhapsody in Blue, and created songs that have outlasted countless works written with more academic pretension. His gift for memorable melody, combined with rhythmic vitality and harmonic color, gives arrangers like Mark Hayes rich material to work with across multiple styles and ensembles.

Why we love this

Mark Hayes's arrangement captures the sophisticated energy that makes "Fascinating Rhythm" endure: the syncopated melody sits perfectly in choral voices, and the mix of Latin and swing textures gives singers multiple rhythmic and stylistic worlds to inhabit. Choirs rarely get pieces that are this intellectually satisfying and this much fun simultaneously.

What to expect

Rhythmically alive and sophisticated, with the confidence of a song that survived nearly a century of reinterpretation. You hear the heartbeat of Tin Pan Alley modernism: clever, energetic, rooted in vernacular speech patterns yet shaped by real harmonic and melodic craft. The Latin and swing textures add welcome color without obscuring the clarity that makes Gershwin writing so singable.

Who it's for

Choirs with solid rhythmic security and enough rehearsal time to explore style nuance. This works well for high school choirs moving beyond ballads, college ensembles wanting accessible showpiece material, and community choirs that value the American songbook. The SoundPax format makes it accessible to singers of varying part-reading levels.

How to get the most out of it

  • Lock the swing eighth-note feel early in rehearsal; the contrast between swing and Latin sections depends on precision from the whole choir, not just the rhythm section.
  • Highlight the recorded accompaniment during early rehearsals to anchor the harmonic progression, then gradually reduce its use so the choir owns the harmonic responsibility.
  • Treat the syncopated passages as speech-rhythm, not mathematical. Gershwin's melody wants conversational lift, not mechanical precision.
  • Balance solo moments (if the arrangement includes them) with full-choir texture so the arrangement's internal variety reads clearly to the audience.

How to use it

Pair this with other American standards or jazz-influenced choral writing to build a program celebrating American musical theater and songbook traditions. It works equally well as a concert centerpiece or as a strategic placement late in a set where the choir's confidence and style sophistication can shine. Consider positioning it alongside instrumental jazz or light classical work to build continuity.

Skills your students will build

  • Swing rhythm and syncopation
  • Rapid style shifts between Latin and swing feels
  • Harmonic awareness in jazz-influenced progressions
  • Conversational phrasing and musical syntax
  • Balance between rhythmic precision and stylistic freedom

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