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Fascinating Rhythm: TTBB Choral Octavo

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Fascinating Rhythm Cover Image

Fascinating Rhythm: TTBB Choral Octavo

Music and lyrics by George Gershwin and Ira Gershwin / arr. Mark Hayes

Item: 00-39915

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Description
First introduced in the Broadway musical Lady Be Good, this Gershwin hit has been covered by Rosemary Clooney, Michael Feinstein, The Four Tops, and many more. Mark's exciting arrangement effectively includes everything from Latin rhythm to Swing!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Fascinating Rhythm: TTBB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081445762
SKU: 00-39915

More about this title

About the Composer: George Gershwin

George Gershwin (1898-1937) bridged classical and popular music with a facility that few composers have matched. His rhythmic vitality, harmonic sophistication, and gift for melody made him one of the most performed American composers in concert halls and on stages worldwide. Gershwin's output spanned concert works, Broadway scores, and songs that have become standards; his influence on music education extends from orchestral repertoire to the popular song arrangements that appear in choral risers today.

Working alongside his brother Ira, a lyricist of uncommon wit and precision, Gershwin created music that was accessible without being simple. His harmonic language, rooted in jazz and blues idioms, expanded what audiences expected from American music and continues to reward careful study by musicians at every level.

Why we love this

Mark Hayes captures the irrepressible energy of this Gershwin standard while respecting its architecture. What sets this arrangement apart is how it layers contrasting rhythmic ideas (Latin feels, swing sections) without overwhelming the harmonic core that makes the song memorable. For men's choirs seeking a piece that entertains an audience while demanding genuine musicianship, this delivers on both counts.

What to expect

Irresistible forward motion, syncopated and clever. The piece bounces between Latin urgency and swung relaxation, its melodic hooks lodging immediately in the ear while the harmonic underpinnings stay rich and slightly unexpected. It's the feeling of a song that wants to move you, both rhythmically and emotionally.

Who it's for

Men's choirs (TTBB) looking for repertoire that balances accessibility with genuine musical substance. This works well for groups comfortable with syncopated rhythms and jazz-inflected harmony, and for singers who enjoy the energy of popular standards arranged with orchestral sophistication.

How to get the most out of it

  • Lock the Latin rhythm section (bass and baritone lines) into a tight, syncopated groove before adding the upper voices; this rhythmic foundation makes the swing sections land with impact.
  • Shape the melodic contour dynamically rather than holding a single volume level; Gershwin's melodies breathe, and small dynamic shifts reveal the voice leading underneath.
  • The recorded accompaniment is valuable for learning, but challenge your ensemble to internalize harmonic movement so the singing feels grounded in the chord progression, not dependent on playback.
  • Articulation matters tremendously in the uptempo passages; crisp consonants on the Latin sections and relaxed phrasing in the swing feel create stylistic clarity.

How to use it

Pair this with other Gershwin or Golden Age standards to build a concert around American popular music; its accessibility and theatrical appeal make it an excellent anchor for a pop choral set. The stylistic variety within the piece itself (Latin to swing) also lets you demonstrate your ensemble's rhythmic sophistication and versatility within a single selection.

Skills your students will build

  • Reading and executing Latin rhythm patterns in a choral context
  • Singing syncopated rhythms with precision while maintaining phrase shape
  • Balancing syllabic articulation with swing feel conventions
  • Locking ensemble rhythm when multiple rhythmic feels occur simultaneously
  • Interpreting jazz-influenced harmony through voice leading awareness

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