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Don't Stop the Music: 3-Part Mixed Choral Octavo

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Don't Stop the Music Cover Image

Don't Stop the Music: 3-Part Mixed Choral Octavo

Words and music by Jay Althouse

Item: 00-33081

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Description
An impassioned salute to the value of music in our lives. Perform it at any public or community event. Great concert opener, closer, or theme song.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081359892
SKU: 00-33081

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later honored with the Distinguished Alumni award. His early career included eight years managing rights and licenses for a major educational music publisher, during which he served on the Executive Board of the Music Publishers Association of America.

As a prolific composer, Althouse has created more than 800 choral works performed throughout the English-speaking world and maintains membership in ASCAP, where he is a regular recipient of the Special Award. Beyond composition, he has co-written children's musicals with his wife Sally K. Albrecht, edited respected vocal collections, authored music education resources including Ready to Read Music and Sixty Music Quizzes, and co-wrote I Hear America Singing, performed by the San Francisco Girls and Boys Choirs at President Barack Obama's 2009 inauguration. He has served on the board of the North Carolina Master Chorale and currently advises the Folk Art Society of America.

Why we love this

Althouse writes with genuine warmth about music's essential place in human experience, and this piece captures that conviction in language that resonates with singers and audiences alike. The three-part mixed voicing keeps the piece accessible while the emotional core remains powerful, making it equally effective as a concert anchor or community gathering centerpiece.

What to expect

Earnest and celebratory, with an understated dignity that avoids sentimentality. The piece builds emotional resonance through straightforward harmonic language and text that speaks directly to why music matters, creating moments of genuine uplift rather than manufactured excitement.

Who it's for

Directors seeking a statement piece that works for community choruses, church choirs, school ensembles, and mixed-voice groups of all experience levels. The SAB voicing ensures accessibility while the text and melodic writing appeal to mature singers who want substance beneath approachability.

How to get the most out of it

  • Establish the central message early in rehearsal by discussing what music means to your singers personally; their conviction will carry through the performance.
  • Balance the three parts so no single voice dominates; SAB voicing requires careful attention to blend, especially where the melody moves between parts.
  • Use the recorded accompaniment to lock in secure harmonic foundation during early learning stages, then gradually reduce reliance to build independence.
  • Shape the phrasing with attention to text inflection; let the words breathe naturally rather than forcing musical punctuation where the meaning doesn't require it.

How to use it

Open a concert with this piece to set a reflective, purposeful tone before moving into your main repertoire, or close with it as a powerful final statement about the evening's musical journey. It also works as a seasonal theme for music education advocacy events, fundraisers, or community celebrations centered on the arts.

Skills your students will build

  • Balancing three independent melodic lines in SAB voicing
  • Text expression and phrasing in secular choral music
  • Harmonic listening and blend across different voice parts
  • Vocal confidence in delivering a thematic, message-driven piece

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