¡Danza! Cover Image

¡Danza!: Choral Octavo SoundTrax CD

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¡Danza! Cover Image

¡Danza!: Choral Octavo SoundTrax CD

Words by Susan Bentall Boersma, music by David Lantz III

Item: 00-31131

$24.95
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Description
This lively song features equal parts English and Spanish text, telling you to "dance . . . from your head down to your feet." And that's exactly what you'll want to do when performing the infectious Latin rhythms and the fresh contemporary harmonies. Sizzles and grows to the end. Featured on the Danza! Movement DVD (00-31225).

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081339030
SKU: 00-31131

More about this title

About the Composer: David Lantz III

David Lantz III

David Lantz III brings together classroom experience and prolific composing in a career spanning public school music education and concert composition. A Pennsylvania-based vocal music teacher, he has created approximately 500 published works across sacred and secular genres for publishers throughout the country, and his compositional range extends to orchestra, symphonic band, jazz ensemble, and chamber settings. Beyond the page, Lantz works as a music editor and engraver, directs a church choir, and performs regularly as a bassist and vocalist in pop and jazz contexts.

His household in northeastern Pennsylvania reflects the musical focus of his life: he shares it with his wife, composer Marti Lunn Lantz, and their five musically active children. This blend of teaching responsibility, creative output, and performance experience informs compositions that work in real rehearsal rooms with singers of varying experience.

Why we love this

Lantz balances linguistic and musical authenticity here. The equal split between English and Spanish text never feels tokenistic; instead, it creates a built-in dual-language learning moment while the Latin rhythms and contemporary harmonies keep singers engaged and audiences moving. This is the kind of piece that teaches cultural musicality while delivering genuine entertainment value.

What to expect

The music pulses with movement from the first measure. Spanish and English lyrics trade places, creating a call-and-response feel that makes you want to move; the contemporary harmonies keep the sound fresh and modern rather than nostalgic. There's an undeniable momentum here that accelerates toward the final moments.

Who it's for

This octavo works for middle school, high school, and community choirs seeking an energetic secular piece that connects language learning with performance. The infectious rhythms and contemporary sound appeal to singers who want fun in their repertoire, while directors appreciate a piece that introduces Latin music competently without oversimplifying.

How to get the most out of it

  • Treat the Latin rhythms as the spine of the arrangement. Have the rhythm section lock into the percussion patterns early in rehearsals so singers can lean into the groove rather than fight it.
  • The bilingual text requires clear articulation in both languages. Spend rehearsal time on Spanish vowels and consonants to match the energy of the piece; mispronunciation will weaken the drive.
  • Build the dynamic arc deliberately. The piece "sizzles and grows to the end," so map out where intensity increases and ensure all sections understand their role in that trajectory.

How to use it

Pair this with other world music or multilingual pieces to build a thematic program, or use it as a high-energy opener or closer that shifts the emotional temperature of a concert. The movement and staging elements make it ideal for a spring pops concert or any performance where you want singers and audience alike to feel the infectious energy.

Skills your students will build

  • Latin rhythm reading and performance, particularly syncopation and layered percussion patterns
  • Bilingual text clarity in Spanish and English
  • Ensemble listening within groove-based accompaniment
  • Dynamic shaping and phrase architecture in contemporary pop-influenced writing
  • Performance confidence in choreographed or staged contexts

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