30-Second Merry Christmas Cover Image

30-Second Merry Christmas: SSA, <I>a cappella</I> Choral Octavo

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30-Second Merry Christmas Cover Image

30-Second Merry Christmas: SSA, a cappella Choral Octavo

Words and music by Donald Moore

Item: 00-47560

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Description
Wish your audience a “Merry Christmas and a Happy New Year” in just a half a minute. This madrigal-style a cappella novelty is equally easy to learn and enjoyable to sing. Plus, it's a great choice for any seasonal performance: Christmas concerts, community events, madrigal feasts, door-to-door caroling, singing telegrams---you name it! Fun, flexible, and festive in all voicings.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, 30-Second Merry Christmas: SSA, a cappella Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
UPC: 038081542539
SKU: 00-47560

More about this title

About the Composer: Donald Moore

Donald Moore

Donald Moore earned his Bachelor of Music in organ performance and Master of Arts in Teaching from Kent State University. He serves as Organist-Choirmaster at Pilgrim United Church of Christ in Cuyahoga Falls, Ohio, and has established himself as a prolific composer across multiple genres and skill levels.

With more than 500 works published through Alfred Music, Hal Leonard, Heritage Music Press, and other major houses, Moore has built a catalog spanning sacred and secular choral music, educational works, organ and piano compositions, and instructional texts. His pieces appear regularly at state contests and regional festivals, and he has received the ASCAP Composers Standard Award seventeen times. The American Choral Directors Association recognized him as one of 400 elite composers significant to American choral music history.

Why we love this

A 30-second novelty that actually delivers musicality instead of relying on gimmick alone. The madrigal-style writing gives singers something genuinely satisfying to learn and perform, while the brevity and accessibility make it perfect for those last-minute concert needs or as a crowd-pleaser that doesn't demand rehearsal time from an already packed schedule. Caroling groups and singing telegrams have a legitimate musical anchor rather than a throwaway joke.

What to expect

Bright and playful with the wit of a madrigal compressed into half a minute. The a cappella writing sparkles with the kind of lighthearted energy you'd find at a madrigal feast, delivering genuine musical satisfaction in the smallest possible package.

Who it's for

Any choir with SSA voicing looking for a quick, charming seasonal encore or filler. This works equally well for high school and community choirs, church music groups preparing holiday services, and informal ensembles doing caroling or special events.

How to get the most out of it

  • Balance the three voices so the text remains intelligible throughout; the madrigal style benefits from transparent voicing rather than blended chords.
  • Keep the tempo brisk and energetic to match the festive spirit; resist the urge to linger on phrase endings.
  • Shape phrases naturally even in miniature; each voice should sing through its line with purpose rather than note-by-note phrasing.

How to use it

Program it as an opening or closing number at a holiday concert to send audiences off with immediate warmth and humor. It also serves as an ideal encore when you need something that feels complete but leaves time for additional selections, or as a standalone piece for community events and informal performances where musical substance matters but time is limited.

Skills your students will build

  • Singing in madrigal style with text clarity and rhythmic precision
  • Balancing three-part SSA voicing without instrumental support
  • Maintaining energy and intonation in rapid, compact phrases
  • Interpreting short-form choral literature that requires full musicality despite brevity

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