30-Second Merry Christmas: 3-Part Mixed, a cappella Choral Octavo
Words and music by Donald Moore
Item: 00-PO-0005930
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About the Composer: Donald Moore

Donald Moore earned degrees in organ performance and music education from Kent State University and has built a compositional career spanning five decades. His output exceeds 500 published works across sacred, secular, and educational genres, distributed through major publishers including Alfred Music, Hal Leonard, and Heritage Music Press. His pieces appear regularly at state and national music festivals, and he has received the ASCAP Composers Standard Award seventeen times.
Moore serves as Organist-Choirmaster at Pilgrim United Church of Christ in Cuyahoga Falls, Ohio, where his work in church music directly informs his choral writing. The American Choral Directors Association recognized him among 400 composers of historical significance in American choral music. Beyond composition, Moore maintains an active presence in motorsports, campaigning competitive midget race cars with drivers nationwide.
Why we love this
This piece delivers genuine novelty without sacrificing musicality. Moore's madrigal-style writing keeps the voices moving independently in ways that feel natural and conversational, even at breakneck speed, so your singers won't feel like they're rushing through a gimmick. The flexibility to perform it anywhere (concert stage, holiday party, doorstep) means you'll actually use this multiple times each season.
What to expect
Warm and unpretentious, with the quick wit of a well-timed joke. The madrigal style gives it sophistication while the compressed length and seasonal message keep it light and joyful, landing somewhere between a musical toast and a Three-Part Invention for the season.
Who it's for
Choral directors seeking a short, engaging holiday encore that's approachable for emerging musicians yet charming enough for experienced ensembles. This works equally well for high school choirs, community groups, church choirs, and even informal caroling ensembles that need something quick and memorable to finish a set.
How to get the most out of it
- Establish a steady pulse early in rehearsal using the "Merry Christmas" phrase as your anchor point; this ensures the rapid text doesn't collapse into a blur.
- Emphasize the independence of each voice part so the madrigal texture sings through, especially in the overlapping sections where clarity prevents muddiness.
- Let the piece breathe naturally between phrases rather than pushing through continuously; even 30 seconds benefits from rhythmic shaping.
- Consider performance context when choosing tempo; a faster pace suits caroling and sing-alongs, while a slightly more measured tempo works better in formal concert settings.
How to use it
Program this as the final piece on a holiday concert to send audiences out smiling, or use it to open a set of Christmas music with an immediate sense of fun. Its brevity makes it ideal for madrigal feasts, community caroling events, and even as a palate-cleanser between more substantial seasonal works.
Skills your students will build
- Singing independent melodic lines within close harmonic spacing
- Maintaining rhythmic precision while managing rapid text declamation
- Blending three-part texture without sacrificing diction clarity
- Shaping and phrasing brief musical ideas for maximum impact