Were Thine That Special Face (from "Kiss Me Kate") Sheet Music Preview

Were Thine That Special Face (from "Kiss Me Kate"): Piano/Vocal/Chords

By Cole Porter

Item: 00-PS-0012991

Digital Download
$4.99

One moment…

Description
This songbook contains all of the classic songs from Cole Porter's greatest success, the hilarious and tuneful Broadway production Kiss Me, Kate. A total of 19 songs are featured in the book, which includes two that were never used. The book also includes an essay about the history of the show, illustrations and memorabilia from its various productions, and a personal remembrance from Patricia Morison, who played Kate in the original Broadway run. Titles: Another Op'nin', Another Show * Why Can't You Behave? * Wunderbar * So in Love * We Open in Venice * Tom, Dick or Harry * I've Come to Wive It Wealthily in Padua * I Hate Men * Were Thine That Special Face * I Sing of Love * Too Darn Hot * Where Is the Life That Late I Led? * Always True to You in My Fashion * Bianca * Brush Up Your Shakespeare * From This Moment On * I Am Ashamed That Women Are So Simple * We Shall Never Be Younger * What Does Your Servant Dream Bout.

Were Thine That Special Face (from "Kiss Me Kate"): Piano/Vocal/Chords isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Alfred Music
Page Count: 120
SKU: 00-PS-0012991

More about this title

About the Composer: Cole Porter

Cole Porter (1891-1964) composed some of Broadway's most sophisticated and witty musicals, earning him a place among the greatest theatrical songwriters in American history. His melodies are instantly singable yet harmonically inventive, and his lyrics are famous for their clever rhymes, urbane humor, and emotional depth. Porter's influence on music education extends beyond performance; his songs are teaching tools for understanding how to craft memorable melodies, set words to music with precision, and balance commercial appeal with artistic integrity.

Why we love this

Kiss Me, Kate contains some of Porter's most enduring and singable material, making this collection invaluable for any program incorporating Broadway repertoire. The range of song styles within the show means you can draw from it for recitals, concert programming, or audition preparation without retreading the same musical ground. The 120-page edition with historical context and first-hand accounts from the original production gives singers and pianists insight into how these songs were meant to land in performance.

What to expect

These songs sparkle with mid-century sophistication. You hear razor-sharp rhythms, clever rhymes that make you want to smile, and harmonies that shimmer beneath deceptively simple melodies. Whether singing a love ballad or a comedic patter song, you're always aware that Porter has written something both theatrical and genuinely beautiful.

Who it's for

Singer-pianists preparing Broadway repertoire for recitals, auditions, or concert programs will find this collection essential. Voice teachers using musical theatre as part of their studio curriculum can select from 19 songs that span multiple vocal styles and dramatic scenarios. Pianists accompanying singers in rehearsal or performance will value the complete harmonic roadmap and authentic orchestration details.

How to get the most out of it

  • Navigate Porter's harmonic language by identifying the song's key center early in your preparation; his chromatic voice leading can obscure tonality if you're not anchored to the root
  • Approach the phrasing as you would in speech; Porter's lyrics are written to land conversationally, so over-legit singing flattens the wit and charm that makes these songs memorable
  • Pay attention to the chord symbols for solo piano accompaniment; the voicings Porter suggests capture the jazz and popular idioms of the 1940s and inform how you shape the vocal line
  • Study the tempo markings carefully; songs like 'Too Darn Hot' and 'Brush Up Your Shakespeare' derive much of their comedic effect from rhythmic precision and conversational pacing

How to use it

Program individual songs from Kiss Me, Kate in mixed recitals alongside art songs, jazz standards, or songs from other musical theatre composers to showcase range and versatility. A cluster of three to five songs from the show can anchor a Broadway-focused concert, especially if paired with dialogue or staging that emphasizes the show's comedic spirit. Audition coaching benefits tremendously from this book; many songs work well for soprano, mezzo, and belt singers.

Skills your students will build

  • Interpreting chromatic harmony and non-diatonic voice leading in melodic singing
  • Matching phrasing and articulation to comic timing and lyrical intent
  • Reading and realizing chord symbols for piano accompaniment
  • Balancing legit vocal production with theatrical character work and comedic clarity

You May Also Like