So In Love Sheet Music Preview

So In Love: Piano/Vocal/Chords

By Cole Porter

Item: 00-PS-0011020

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Description
This songbook contains all of the classic songs from Cole Porter's greatest success, the hilarious and tuneful Broadway production Kiss Me, Kate. A total of 19 songs are featured in the book, which includes two that were never used. The book also includes an essay about the history of the show, illustrations and memorabilia from its various productions, and a personal remembrance from Patricia Morison, who played Kate in the original Broadway run. Titles: Another Op'nin', Another Show * Why Can't You Behave? * Wunderbar * So in Love * We Open in Venice * Tom, Dick or Harry * I've Come to Wive It Wealthily in Padua * I Hate Men * Were Thine That Special Face * I Sing of Love * Too Darn Hot * Where Is the Life That Late I Led? * Always True to You in My Fashion * Bianca * Brush Up Your Shakespeare * From This Moment On * I Am Ashamed That Women Are So Simple * We Shall Never Be Younger * What Does Your Servant Dream Bout.

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Additional Details
Publisher: Alfred Music
Page Count: 120
SKU: 00-PS-0011020

More about this title

About the Composer: Cole Porter

Cole Porter (1891-1964) composed some of Broadway's most enduring melodies, blending sophisticated harmonies with witty, clever lyrics that became his signature. His gift for marrying complex chord progressions with memorable tunes made him a dominant force in American musical theater during the 1930s and 1940s, and his work continues to define the standards repertoire that singers and pianists return to across generations.

Porter's influence on music education extends beyond his individual songs to his approach to songwriting itself. His harmonies reward close study, his lyrics teach clarity of diction and storytelling, and his melodies sit comfortably in the voice while remaining musically sophisticated enough to challenge advanced singers and pianists alike.

Why we love this

This collection captures the full theatrical scope of Kiss Me, Kate in a single, beautifully presented volume. The inclusion of essays and period memorabilia transforms what could be a simple songbook into a genuine resource for understanding a landmark Broadway production, making it ideal for music theater programs, voice studios, and singers preparing audition material with real historical context.

What to expect

These songs shimmer with the elegance and playfulness of mid-century Broadway at its peak. Whether you're singing a tender declaration of love or a sharp, comic number, Porter's melodies and harmonies carry an unmistakable sophistication that feels both classically refined and immediately theatrical.

Who it's for

Singers preparing repertoire for auditions, recitals, or concert performances will find a rich collection of material ranging from intimate ballads to ensemble showstoppers. Pianists accompanying vocalists benefit from the chord notations and the stylistic variety across 19 songs, which offers ample opportunity to develop facility with Broadway idiom and Porter's harmonic language.

How to get the most out of it

  • Pay attention to Porter's harmonic language in these songs; the chromaticism and unexpected chord movements require confident, stylistically informed accompaniment that lets the sophistication of the harmony breathe without rushing.
  • Approach the comedic songs ("Why Can't You Behave?," "Too Darn Hot") with rhythmic precision and clear articulation; Porter's wit lands best when the melody and lyrics are delivered with sharp clarity and proper rhythmic placement.
  • Use the chords provided to explore the relationship between melody and harmony in a Porter standard; understanding why he chose certain voicings deepens interpretation and helps pianists develop a richer harmonic vocabulary.
  • Consider the dramatic arc of the full score when selecting songs for performance; pairing contrasting numbers (a comic song with a sincere ballad, for example) mirrors the theatrical pacing that made Kiss Me, Kate so successful.

How to use it

Build a Broadway-focused recital or cabaret evening around selections from this score; the variety of moods and tempos within Kiss Me, Kate allows you to create a cohesive program without relying on multiple shows. Voice studios can use individual selections as repertoire for students at intermediate to advanced levels, while music theater programs can draw on multiple numbers for concert or staged presentations.

Skills your students will build

  • navigating sophisticated harmonic progressions with chromatic voice leading
  • maintaining legit singing style while delivering comedic timing and diction
  • reading chord symbols and realizing accompaniments in Broadway idiom
  • interpreting period-appropriate phrasing and ornamentation in classic standards
  • understanding the relationship between character, lyric, and musical line in theatrical storytelling

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