We Open In Venice (from "Kiss Me Kate"): Piano/Vocal/Chords

Porter's melodic gift and harmonic sophistication make these songs enduringly rewarding for singers and pianists at intermediate to advanced levels. The collection balances comedy and sentiment; singers discover how to shape both comic timing and emotional depth within the same score. For music directors, Kiss Me, Kate offers unmatched versatility for concert programming, auditions, student recitals, or full theatrical production.

Opening this book is like stepping into a dressing room backstage at a 1948 Broadway theatre. The music crackles with sophistication, charm, and theatrical energy. You'll encounter tender romantic moments alongside hilarious send-ups of theatrical convention, all wrapped in Porter's signature blend of elegant writing and clever wordplay. The accompaniments feel both supportive and artful, never plain.

This collection serves singers preparing audition material, pianists accompanying vocalists in lessons or recitals, music theatre students building their repertoire, and anyone deepening their knowledge of American musical theatre standards. Directors programming concert performances or variety shows will find 19 options ranging from intimate character songs to show-stopping ensemble pieces.

• Study the lyrics closely before diving into the melody. Porter's wit lives in his words, and understanding the text informs phrasing, articulation, and comedic timing at the piano.
• Listen to multiple recordings to internalize Porter's harmonic language. His chromaticism and unexpected chord changes sound effortless when you know where they're coming from.
• Pay attention to syncopation and rhythmic displacement, especially in the uptempo comedy numbers. The piano part often sets the rhythmic foundation that singers need to land their jokes.
• Balance the vocal line with independence in the accompaniment. Porter's piano writing is conversational; it doesn't simply double the voice but comments, responds, and creates texture.

Feature individual songs in a Broadway cabaret or theatre showcase; the variety of styles means you can program uptempo comedy, ballads, and ensemble pieces in one concert without repetition. This collection also works beautifully as a source for student recitals, where singers can select character-appropriate songs at different difficulty levels. For voice studios, return to these songs across multiple years as technique and artistry develop.

• Interpreting Cole Porter's chromaticism and extended harmony changes
• Coordinating comedic timing with musical phrasing
• Reading and balancing active piano accompaniment alongside the vocal line
• Approaching character-driven vocal performance in musical theatre repertoire
• Stylistic command of American songbook idioms (rhythm, articulation, diction)