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We Dance: SSA Choral Octavo

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We Dance: SSA Choral Octavo

from the musical Once on This Island

Words by Lynn Ahrens, music by Stephen Flaherty / arr. Andy Beck

Item: 00-32878

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Description
This rhythmic opening number from Broadway's Once on This Island is a syncopated standout with a bright island groove and accented choral singing. With the recent revival, national tours, and a Best Revival Tony Award®, the spotlight returns to this Ahrens and Flaherty favorite. Now available for 2-part treble voices!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081357867
SKU: 00-32878

More about this title

About the Composer: Stephen Flaherty

Stephen Flaherty has composed the scores for some of Broadway's most celebrated musicals, including Ragtime, Anastasia, and Once on This Island. His work spans theatrical genres from intimate chamber pieces to grand orchestral arrangements, and his melodies are known for their singability and emotional directness. Flaherty's collaborations with lyricist Lynn Ahrens have produced some of the most performed Broadway scores in educational and professional settings.

Why we love this

This arrangement captures the infectious energy of the original without sacrificing the syncopated sophistication that makes the song memorable. Treble choirs at any level can access Broadway material that sounds and feels contemporary, and the bright island groove translates beautifully to SSA voicing. Programming a Tony-winning revival number gives your ensemble immediate cultural relevance and a song audiences actually recognize.

What to expect

Bright, buoyant, and propulsive. The syncopated rhythms create forward momentum while the island-influenced harmonic color keeps the sound warm and inviting rather than clinical. From the first measure, this is a celebration that pulls listeners and singers alike into the world of the show.

Who it's for

This octavo works for SSA choirs spanning middle school through community groups. The accessible tessitura and rhythmic clarity make it approachable for younger singers, while the Broadway pedigree and contemporary groove appeal to ensembles seeking repertoire that feels current and relevant.

How to get the most out of it

  • Lock the syncopated rhythmic accents as a unified section first, then layer them against the melodic line so the groove feels intentional rather than cluttered.
  • Lean into the island percussion color without overloading dynamics; the charm lies in rhythmic precision, not volume.
  • Use the recorded accompaniment to establish groove and tempo before rehearsing unaccompanied, so singers internalize the syncopation against a steady pulse.
  • Consider what staging or movement might support the opening number energy; the score includes movement and staging notes that can elevate ensemble engagement.

How to use it

Plant this as your opening number to establish energy and audience goodwill immediately. It pairs well with other contemporary or musical theatre repertoire and works equally as an energetic closer if you want to send the audience out buoyed by groove and brightness. The song's national recognition from the recent revival means audiences will connect with it instantly.

Skills your students will build

  • Syncopated rhythm reading and execution in ensemble context
  • Maintaining rhythmic independence while supporting harmonic motion
  • Articulation control for accented choral singing
  • Style awareness in contemporary Broadway idiom
  • Coordinate movement and staging with vocal ensemble singing

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