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We Dance: SATB Choral Octavo

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We Dance: SATB Choral Octavo

from the musical Once on This Island

Words by Lynn Ahrens, music by Stephen Flaherty / arr. Andy Beck

Item: 00-32876

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Description
This rhythmic opening number from Broadway's Once on This Island is a syncopated standout with a bright island groove and accented choral singing. With the recent revival, national tours, and a Best Revival Tony Award®, the spotlight returns to this Ahrens and Flaherty favorite. Now available for 2-part treble voices!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081357843
SKU: 00-32876

More about this title

About the Composer: Stephen Flaherty

Stephen Flaherty has been a dominant voice in contemporary musical theater since the 1980s, composing scores that balance theatrical storytelling with memorable melodies. His collaboration with lyricist Lynn Ahrens has produced several Broadway landmarks, including Once on This Island, Ragtime, and Anastasia, earning him Tony Awards, Grammy Awards, and an Academy Award nomination. His music is known for its accessibility to student performers while maintaining the sophistication and emotional depth that made these shows successful on Broadway.

Why we love this

This arrangement brings authentic Broadway energy to your concert without requiring students to navigate overly complex vocal writing. The syncopated rhythms and island groove make it immediately engaging for singers and audiences alike, while Andy Beck's SATB voicing sits comfortably across typical high school and collegiate choirs. Recent Tony buzz and touring productions mean your singers likely know this music, which builds enthusiasm and makes rehearsal feel connected to the larger musical landscape.

What to expect

Warm tropical sunlight, physical movement, and rhythmic confidence. The syncopated figures create forward momentum while the island groove keeps everything grounded and joyful. This is music that makes singers want to move and audiences want to listen.

Who it's for

High school and college choirs looking for a contemporary Broadway piece with immediate appeal and infectious energy. The SATB voicing works for mixed ensembles of moderate size, and the accessible vocal ranges accommodate choirs with developing upper registers.

How to get the most out of it

  • Treat the syncopation as part of the groove rather than as rhythmic obstacles. Have singers feel the underlying pulse while the accented figures dance across it, maintaining that island lightness even when articulation gets crisp.
  • Lock in with the recorded accompaniment early in rehearsal so your choir can hear how their parts sit within the full orchestration. This recording reference will anchor rhythmic confidence for singers who might otherwise overthink the syncopation.
  • Balance the brightness of the ensemble sound with clear diction on the accented syllables. The groove demands precision, but overly aggressive articulation can flatten the island character that makes this arrangement distinctive.

How to use it

Open a concert with this piece to establish energy and set a contemporary tone early. It pairs well alongside other Broadway selections or sits effectively as the anchor of a pop/contemporary choral set. The movement and staging options make it suitable for all-school concerts where engagement and visual interest matter.

Skills your students will build

  • Singing syncopated rhythms with confidence and clarity
  • Maintaining groove while executing rhythmic precision
  • Balancing accent and articulation in a Broadway style
  • Blending contemporary pop/musical theater idioms with traditional choral technique

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