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Think: SATB Choral Octavo

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Think: SATB Choral Octavo

Words and music by Aretha Franklin and Ted White / arr. Tom Anderson and Jack Zaino

Item: 00-52245

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Description
"You better think!" Don't miss this roof-raising arrangement of Aretha Franklin's unstoppable R and B hit. The instantly recognizable melody is passed from section to section while others sing hip and harmonic backups. A handful of short, riff-like solos drive the arrangement to a powerful finish. It's a sassy stand out, with a soulful 60s SoundTrax that really kicks!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081600741
SKU: 00-52245

More about this title

About the Composer: Aretha Franklin

Aretha Franklin (1942-2018) fundamentally shaped American popular music as a singer, songwriter, and pianist whose influence extended far beyond her own recordings. Born in Memphis and raised in the church, Franklin drew on gospel traditions while commanding mastery of soul, R&B, pop, and jazz. Her songwriting partnerships, particularly with her first husband Ted White, produced some of the era's most enduring hits, and her arrangements of both original compositions and standards became blueprints for generations of artists.

For music educators, Franklin's work offers a masterclass in melodic clarity, rhythmic drive, and emotional directness. Her compositions sit naturally in the voice, support harmonic sophistication without obscuring the message, and carry unmistakable cultural significance that resonates with student singers across all backgrounds.

Why we love this

This arrangement captures everything that made the original a phenomenon: a melody that locks in the listener's ear from the first phrase, relentless rhythmic momentum, and the kind of vocal interplay that keeps a choir engaged and energized. Directors choose this piece because it delivers concert impact without requiring extensive rehearsal time, and because students walk out of every performance feeling like they've accomplished something real.

What to expect

Energetic and purposeful, with the unmistakable swagger of classic soul music. The arrangement moves singers through contrasting textures: moments of unified strength alternate with tighter, more intimate harmonic writing, building momentum toward a finish that demands full commitment. There's joy in the musical conversation, and confidence in every phrase.

Who it's for

Choirs ready to tackle contemporary repertoire with serious musical credibility. This octavo works for mixed groups with secure middle voices and singers who respond well to rhythmic, groove-oriented material. The piece suits concert settings where you want to program something instantly familiar without sacrificing artistic substance.

How to get the most out of it

  • Keep the melody lines crisp and clearly projected as they pass between sections; this arrangement depends on that call-and-response clarity to land.
  • Lock the rhythm section (or recorded accompaniment) into a steady pocket before adding vocal layers; the groove is the foundation everything else builds from.
  • Shape the riff-like solo passages with intentional phrasing rather than mechanical articulation; these moments should feel conversational and alive.
  • Balance the backup harmonies so they support rather than bury the lead melodic line, especially in the densest sections near the finish.

How to use it

Place this as a closer or highlight piece where the energy lift matters. It pairs well alongside other pop or musical theater selections, especially in programs aimed at drawing newer listeners into choral music. The recorded accompaniment option makes this a strong choice for spring concerts or community performances where rehearsal time is limited.

Skills your students will build

  • Passing a melodic line cleanly between voice sections
  • Maintaining rhythmic precision in a groove-based arrangement
  • Balancing melody and harmony in a contemporary pop style
  • Executing short solo passages with stylistic authenticity
  • Reading rhythmically syncopated parts accurately

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