They All Laughed Sheet Music Preview

They All Laughed: Lead Sheet

Tony Bennett

Item: 00-PSL-000747

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Description
Titles in this 42-song folio include I Left My Heart in San Francisco * Because of You * Nice Work If You Can Get It * Steppin' Out with My Baby * I'll Be Seeing You * Cold, Cold Heart * I Got Rhythm * The Best Is Yet to Come * Rags to Riches * People * Fly Me to the Moon * Call Me Irresponsible * and many more.

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Additional Details
Publisher: Alfred Music
Page Count: 152
SKU: 00-PSL-000747

More about this title

About the Artist: George Gershwin

George Gershwin (1898-1937) bridged concert music and popular song with unmatched fluency. His melodies became standards precisely because they balanced sophistication with immediate appeal, and his harmonic language informed how American composers thought about blending classical training with jazz idiom.

Why we love this

This folio captures the exact repertoire that defines the American songbook for most singers and pianists. Each tune arrives fully realized with chord symbols and vocal melody, ready to learn or perform without hunting through separate fake books or stripped-down arrangements. The selection spans Gershwin's own compositions alongside standards he championed, making it a genuine working collection rather than a sampler.

What to expect

This collection carries the warmth and wit of songs written when melody still reigned. Each tune settles into memory almost instantly, yet the harmonic sophistication keeps revealing itself across repeated hearings. There's an elegance here, unforced and genuinely timeless, that feels like a master class in songwriting economy.

Who it's for

Singers preparing recitals, jazz standards repertoire, or cabaret programs will find reliable lead sheets for the songs that matter most. Pianists accompanying vocalists, whether in formal recital or casual session work, need exactly this kind of portable, chord-annotated reference. Music students building fluency with the Great American Songbook.

How to get the most out of it

  • Treat the chord symbols as a starting point for comping, not a ceiling. These tunes reward pianists who listen closely to the vocalist and respond with rhythmic flexibility rather than metronomic accuracy.
  • Sing through the changes rather than around them. The beauty of these melodies lies in how they sit against the harmonic movement, so track the underlying progression even when the lyric doesn't emphasize every note.
  • Balance the lead sheet's simplicity with the sophistication of the source material. A tune like 'I Got Rhythm' invites reharmonization; honor both the original and your own instincts.
  • Work out the vocal range and key before the first run-through. Many of these standards exist in multiple keys across different recordings, and choosing the right one makes the difference between comfortable phrasing and strain.

How to use it

Build a standards-based recital around three or four pieces from this folio, letting them converse across different moods and tempos. Pair selections with classical or contemporary art songs to show how the American standard tradition sits within a larger vocal landscape. Use this collection to stock a sight-singing or repertoire seminar focused on the twentieth-century vocal canon.

Skills your students will build

  • Reading and interpreting chord symbols in a vocal context
  • Understanding jazz harmony and reharmonization possibilities
  • Building stylistic fluency with swing-era phrasing and articulation
  • Collaborating between vocalist and pianist using lead sheet notation
  • Transposing and adapting songs to different keys and vocal ranges

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