They All Laughed Sheet Music Preview

They All Laughed: SATB Choral Octavo

Music and lyrics by George Gershwin and Ira Gershwin / arr. Mark Hayes

Item: 00-PO-0006071

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Description
Originally performed by Fred Astaire and Ginger Rogers in the classic movie Shall We Dance, this bubbly Gershwin tune has enjoyed a recent resurgence thanks to the contemporary Lady Gaga and Tony Bennett recording. Full of charm and wit, the arrangement sparkles with light jazz harmonies. Your accompanist will love the stride piano part, and your audience will get a kick out of the uniquely American references.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0006071

More about this title

About the Composer: George Gershwin

George Gershwin bridged concert hall and popular song with a fluency that few composers have matched. His gift for melody and harmonic innovation made him central to American music in the 1920s and 1930s, and his work with lyricist brother Ira produced some of the most durable standards in the American songbook.

Why we love this

Mark Hayes has captured the effervescence of this Gershwin gem without losing the sophisticated jazz harmonies that make it stand out from typical pop arrangements. The stride piano accompaniment is genuinely fun to play, and the piece lands with immediate charm, your singers will feel the energy, and your audience recognizes it instantly.

What to expect

Effervescent and conversational, with the kind of clever wit that makes you smile as you sing. The arrangement dances, light on its feet, harmonically sophisticated, but never precious or overly complicated.

Who it's for

Choirs at the intermediate level and above will find this arrangement accessible without being simplistic. It works beautifully for groups looking to program something with genuine American songbook credentials that still connects with modern audiences who know the Lady Gaga/Tony Bennett version.

How to get the most out of it

  • Balance the brightness of the text with subtle dynamic shaping; the wit in these lyrics lands best when delivered with precision rather than oversold enthusiasm.
  • Let the recorded accompaniment establish the stride piano groove first, then have your singers lock their articulation to those rhythmic patterns before rehearsing without it.
  • Emphasize the Gershwin-era diction and phrasing; this isn't contemporary pop, and the charm lives in a slightly retro delivery.
  • Highlight any sections where the four parts move in different rhythmic directions; these moments create the effervescent quality Hayes built into the voicing.

How to use it

Pair this with other Great American Songbook standards for a concert that celebrates jazz-inflected melody and vintage cool. It's ideal for spring concerts or any program where you want a moment of pure charm that showcases both your singers' sophistication and your accompanist's musicianship.

Skills your students will build

  • Phrasing and articulation in a jazz idiom
  • Balancing four-part texture with clear individual lines
  • Stylistic interpretation of Gershwin-era diction and rhythm
  • Listening to and locking with a stride piano accompaniment
  • Conveying narrative and character through conversational delivery

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