They All Laughed Cover Image

They All Laughed: Choral SoundPax

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They All Laughed Cover Image

They All Laughed: Choral SoundPax

Music and lyrics by George Gershwin and Ira Gershwin / arr. Mark Hayes

Item: 00-47700

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Description
Originally performed by Fred Astaire and Ginger Rogers in the classic movie Shall We Dance, this bubbly Gershwin tune has enjoyed a recent resurgence thanks to the contemporary Lady Gaga and Tony Bennett recording. Full of charm and wit, the arrangement sparkles with light jazz harmonies. Your accompanist will love the stride piano part, and your audience will get a kick out of the uniquely American references.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 38
UPC: 038081543932
SKU: 00-47700

More about this title

About the Composer: George Gershwin

George Gershwin (1898-1937) bridged the worlds of concert music and popular song with a fluency few composers have matched. His gift for melody and harmonic sophistication transformed American popular music, earning him a place in both the Broadway theater and the concert hall. Gershwin's work remains central to music education because it demonstrates how serious compositional craft can serve popular forms, making it an ideal entry point for students exploring jazz idioms and twentieth-century harmony.

Why we love this

Mark Hayes has arranged this with just the right touch of sophistication and fun. The stride piano accompaniment gives your pianist a genuine feature, while the choral writing keeps the focus on the story and the humor of the lyric. It's the kind of piece that reminds singers and audiences alike why Great American Songbook standards endure.

What to expect

Imagine a scene from a 1930s nightclub told with affection rather than nostalgia. The melody sits warmly in the middle of the voice, supported by harmonies that sparkle without being overly complex. The overall effect is buoyant and clever, inviting audiences to smile at the cleverness of the lyric and the charm of the tune.

Who it's for

Choirs with solid vocal blend and basic jazz intonation skills will find this accessible and rewarding. It works equally well for high school show choirs, community ensembles, and college recreational singers who want to tackle repertoire beyond classical choral standards.

How to get the most out of it

  • Let the text drive the phrasing. The lyrics are witty and conversational, so treat them like dialogue rather than abstract melody.
  • Balance clarity in the jazz harmonies with vocal blend. These light chords need precision tuning or they'll sound muddy.
  • Work closely with your pianist on the stride part early. The rhythmic confidence there will help anchor the ensemble's swing feel.
  • Shape the dynamics to match the conversational tone of each section. Avoid heavy forte singing; this piece thrives on conversational energy.

How to use it

This pairs beautifully with other American standards or jazz-inflected pieces in a concert celebrating twentieth-century song. It also works as a sophisticated lighter moment in a mixed classical program, providing contrast while maintaining musical substance. Consider it for pops concerts, informal spring concerts, or any program that benefits from charm and wit.

Skills your students will build

  • Jazz intonation and swing phrasing in a choral setting
  • Balancing precision in complex jazz harmonies with ensemble blend
  • Coordinate with an accompanist to lock the choral rhythm with a stride piano pattern
  • Stylistic interpretation of American popular song from the 1930s

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