They All Laughed: Choral SoundPax
Music and lyrics by George Gershwin and Ira Gershwin / arr. Mark Hayes
Item: 00-PK-0008607
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More about this title
About the Composer: George Gershwin
George Gershwin (1898-1937) bridged the worlds of popular song and concert music with a fluency few composers have matched. His gift for melody and his instinctive understanding of jazz idioms made him the defining voice of American music in the 1920s and 1930s. For music educators, Gershwin's catalog represents an accessible entry point into American musical identity and the formal sophistication that lies beneath seemingly simple popular songs.
Why we love this
Mark Hayes has arranged this standard with real restraint, letting the melody breathe while the stride piano part gives your accompanist something genuinely fun to play. The harmonies feel contemporary without betraying the song's period charm, and the text is full of the specific, witty references that make Great American Songbook material so satisfying to perform. Choirs at this level rarely get to sing something that feels both accessible and genuinely sophisticated.
What to expect
Effervescent and urbane. The music sparkles with the confidence of a song written by masters who knew exactly what they were doing. It feels like a conversation between witty friends, built on stride piano and layered harmonies that shift subtly beneath lyrics full of clever observations about human nature.
Who it's for
Choirs with solid intonation and the ability to handle jazz rhythms and extended harmonies. This works equally well for community choruses, college ensembles, and advanced high school groups looking for sophisticated popular music that audiences genuinely enjoy.
How to get the most out of it
- Keep the rhythmic swing light and conversational; resist the urge to over-punch the syncopation. The charm lives in understatement.
- Work the text for comedic timing. Those 'uniquely American references' need clarity and personality to land with an audience.
- Balance the jazz harmonies carefully so they enhance rather than muddy the melody. This arrangement's elegance depends on clean voice leading.
- Use the recorded accompaniment in rehearsal to lock the groove, but train your singers to listen to the live pianist's phrasing during performance.
How to use it
This is ideal for a second-act opener or a finale that sends the audience out smiling. It pairs beautifully alongside other Great American Songbook standards or works as a contemporary counterpoint to more traditional choral fare. The 38 pages and orchestration flexibility make it work in concert settings ranging from intimate recitals to larger pops programs.
Skills your students will build
- Singing jazz swing rhythm and syncopation
- Executing jazz harmonies and voice leading with precision
- Coordinating with a stride piano accompaniment and responding to live interpretation
- Text clarity and comedic timing in a popular song context
- Balancing blend across extended harmonic structures