The Swan Cover Image

The Swan: Tenor Saxophone, Solo with Piano, Book

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The Swan Cover Image

The Swan: Tenor Saxophone, Solo with Piano, Book

By Edmund J. Siennicki

Item: 36-10460464

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Description
This lyrical work is a wonderful selection for beginning musicians for contest or recital. Versions for flute, clarinet, bassoon, alto saxophone, tenor saxophone, trumpet/cornet, horn, trombone, baritone T.C./B.C., tuba, and electronic keyboard, all with the same piano accompaniment, are available from the publisher.

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Additional Details
Series: LudwigMasters Woodwind Series
Publisher: LUDWIGMASTERS
ISBN13: 978-163-361-2167
UPC: 604634044524
SKU: 36-10460464
Instrumentation: Woodwind - Tenor Saxophone Solo

More about this title

About the Composer: Edmund J. Siennicki

Edmund J. Siennicki

Edmund J. Siennicki began his musical journey in Cleveland, Ohio, where a formative conversation with legendary pianist Ignacy Jan Paderewski at age 12 shaped his artistic direction. He earned his Bachelor's degree from Kent State University, where he composed Fight on for KSU, a piece still performed at the university's football games. Later, he completed his Master's degree at Teachers College, Columbia University, studying composition under Herbert Elwell and electronic music with Sergio Barroso while consulting with Vincent Persichetti.

Throughout his career, Siennicki worked as a performing musician on bassoon and piano while building a substantial teaching presence in Cleveland's junior high schools and later at Michigan and Kent State University. His prolific output of approximately 200 published compositions has earned recognition through prizes in the National School Orchestra composition contests and two residencies at the MacDowell Colony. He has received ASCAP special awards consistently for two decades and continues to compose, visit schools, and lead clinics.

Why we love this

Siennicki writes with genuine understanding of what beginning tenor saxophonists need: a melody that sings without excessive technical demands, and piano accompaniment that supports rather than overwhelms. The inclusion of this work across the entire woodwind section with a single piano part makes it ideal for mixed recitals or contests where multiple students perform the same piece in different arrangements.

What to expect

Graceful and introspective, the piece unfolds with gentle melodic phrases that invite expressive playing. Its unhurried character allows the saxophonist to explore tone quality and phrasing while the piano provides harmonic color and emotional support.

Who it's for

Beginning tenor saxophone soloists preparing for contest or recital performance. This arrangement suits young musicians developing lyrical playing skills and confidence in a solo setting without requiring advanced technical facility.

How to get the most out of it

  • Shape the phrase arc by lifting slightly at natural cadence points rather than pushing through to the next idea; this prevents the lyricism from becoming one long line.
  • Balance tone quality with the piano's dynamic landscape. The accompaniment often carries harmonic weight, so focus on clarity and warmth in your upper register.
  • Practice separately from the piano first to establish the melodic contour and breathing pattern, then integrate the accompaniment gradually to maintain your musical independence.

How to use it

Include this alongside other beginning woodwind solos in a recital to showcase the tenor saxophone's lyrical voice, or select it for a multiinstrument program where flute, clarinet, and other woodwinds perform the same work. It also serves well as a contest selection for students not yet ready for intermediate level demands.

Skills your students will build

  • Singing sustained melodic lines with consistent tone production
  • Breath management in a lyrical context
  • Phrasing and shaping longer musical ideas
  • Ensemble listening and balance with piano accompaniment
  • Performance stamina for a complete solo work

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