Still I Rise Cover Image

Still I Rise: SSAA Choral Octavo

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Still I Rise Cover Image

Still I Rise: SSAA Choral Octavo

From Like Dust I Rise (A Choral Song Cycle)

Text by Maya Angelou, music by Mark Hayes

Item: 00-46424

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Description
Maya Angelou's most popular poem about triumph over adversity comes brilliantly to life in this vivid setting by Mark Hayes. The bright shuffle tempo and bluesy piano riffs perfectly embody Angelou's strength, courage, and determination to rise above. One of the most uplifting choral selections of our time! This is the final movement from the song cycle Like Dust I Rise.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Still I Rise: SSAA Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 16
UPC: 038081528038
SKU: 00-46424

More about this title

About the Composer: Mark Hayes

Mark Hayes

Mark Hayes has composed, arranged, and conducted over 1,750 published works spanning sacred and secular genres. A summa cum laude graduate in Piano Performance from Baylor University (1975), he has guest conducted at Lincoln Center, the National Cathedral, and Carnegie Hall, and received the 2010 Award for Exemplary Leadership in Christian Music from Baylor University Center for Christian Music Studies.

Beyond choral music, Hayes is a prolific orchestrator and accomplished concert pianist with more than 100 piano books in print across gospel, classical, jazz, and Broadway styles. He premiered his Requiem at Lincoln Center in 2013 and conducted it again at the Vatican's Festival Pro Musica E Arte Sacra in 2014. Hayes has also scored theatrical works, including the award-winning musical Civil War Voices.

Why we love this

Hayes captures the visceral power of Angelou's words through musical language that feels both accessible and sophisticated. The shuffle groove and bluesy piano writing create immediate momentum and joy, making this an energizing choice for ensembles seeking contemporary choral repertoire with genuine literary substance and a message of resilience that resonates.

What to expect

Radiant, defiant, and grounded in a rhythmic pocket that feels both modern and timeless. The bluesy piano foundation gives the piece a warm, conversational quality while the layered voices soar above with quiet confidence that builds toward unmistakable strength.

Who it's for

SSAA ensembles of all levels seeking contemporary choral literature with literary substance and immediate musical impact. This setting works for treble choirs in secondary and collegiate settings, community choirs, and church choirs drawn to repertoire that combines accessibility with artistic depth.

How to get the most out of it

  • Lean into the shuffle rhythm with a relaxed swing feel rather than strict metering; let the pianist's bluesy riffs anchor the groove while the voices remain buoyant and conversational.
  • Balance the treble lines carefully so that Angelou's words land with clarity even as the ensemble layers in the harmonic richness; consider slight dynamic shaping within phrases to highlight key moments of assertion.
  • Use the recorded accompaniment as a rehearsal reference to internalize the groove, then work toward independence so singers can breathe naturally with the text and respond to each other's energy.
  • Shape the dynamic arc across the entire octavo to mirror Angelou's escalating triumph; the ending should feel inevitable and powerful rather than forced.

How to use it

Program this as a centerpiece of a concert focused on resilience, social justice, or contemporary voices in choral music; its uplifting message and energetic shuffle make it an ideal closer that leaves audiences inspired. It also pairs naturally alongside other American art song settings or spiritual arrangements that celebrate perseverance and community.

Skills your students will build

  • Singing with rhythmic independence in shuffle/swing groove patterns
  • Blending transparent SSAA textures while maintaining clear diction of poetic text
  • Responding to piano accompaniment without losing ensemble cohesion
  • Interpreting contemporary choral music with dramatic intention and nuance

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