Stars Sheet Music Preview

Stars: Piano/Vocal/Chords

fun.

Item: 00-PS-0015612

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Description
The chart-topping second album by Grammy®-winning, indie superstar band fun. is packed with melodic and piano-driven songs that their fans want to play! This album-matching sheet music collection makes it possible, with great-sounding piano arrangements that accurately depict what's played on the album. Complete vocal melodies, lyrics, and basic guitar chord fingering grids are included. Titles: Some Nights (Intro) * Some Nights * We Are Young * Carry On * It Gets Better * Why Am I the One * All Alone * All Alright * One Foot * Stars * Out on the Town.

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Additional Details
Publisher: Alfred Music
Page Count: 92
SKU: 00-PS-0015612

More about this title

About the Composer: Nate Ruess

Nate Ruess is the lead vocalist and primary songwriter of fun., the indie pop band that rose to mainstream prominence in the early 2010s. His gift for crafting hook-laden melodies paired with introspective, emotionally direct lyrics made fun. one of the most distinctive voices in pop music during that era. Ruess's compositional approach blends pop sensibility with art-rock ambition, evident across the band's catalog and collaborative work with producers like Jeff Bhasker and Jack Antonoff.

Beyond fun., Ruess has worked as a songwriter and vocalist across multiple genres, bringing his melodic instincts to film soundtracks, solo projects, and featured collaborations. His ability to balance accessibility with artistic substance makes his work valuable for musicians exploring contemporary songwriting craft.

Why we love this

Students recognize these songs immediately, which cuts through the usual resistance to learning material outside their everyday listening. The arrangements capture the album's piano-forward production without oversimplifying, giving pianists real musical substance to sink their teeth into while singers connect with lyrics that resonate across age groups.

What to expect

These songs pulse with the energy of modern indie pop: introspective verses that build into anthemic choruses, layered with piano work that's both simple enough to follow and sophisticated enough to hold interest. There's an earnestness throughout, a sense that the melodies matter more than production tricks, even as the arrangements reveal carefully crafted detail.

Who it's for

This collection serves singers and pianist-vocalist pairs who want to perform current repertoire, as well as piano students exploring contemporary pop arranging and song structure. It's particularly valuable for musicians in musical theater, worship, or pop ensemble settings who need singable, arrangement-accurate versions of recognizable material.

How to get the most out of it

  • Balance the vocal line so it floats above the piano texture rather than fighting for space; these arrangements prioritize the instrumental foundation that made the album distinctive.
  • Pay attention to the dynamic shape of each song as printed. The original recordings use subtle rises and falls in intensity that are easy to flatten if you play straight through without shaping.
  • When layering guitar chords with piano, use the chord grids to understand harmonic movement rather than playing them as literal voicings; let the piano arrangement breathe.

How to use it

Program individual songs as part of a contemporary pop or musical theater concert, or build an entire set around fun.'s catalog to showcase how modern songwriters construct narrative and emotional arc across an album. These work equally well in informal student recitals, worship contexts, or as stepping stones for young musicians learning to interpret chart-ready material.

Skills your students will build

  • Interpreting Nashville-style chord charts and building chord awareness on guitar
  • Singing contemporary pop melodies with accurate phrasing and emotional intention
  • Reading and voicing piano arrangements that balance melody, harmony, and accompaniment texture
  • Understanding song form in modern pop (verse, pre-chorus, chorus, bridge structures)
  • Coordinating vocal line, piano accompaniment, and optional chord instruments in ensemble settings

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