Someone to Watch Over Me (from "Oh, Kay!") - Piano Solo: Piano Solo

Aaronson's arrangement captures the elegance and harmonic sophistication of Gershwin's original without overwhelming intermediate pianists. The voicing sits naturally under the hand, allowing students to experience the piece's distinctive character while building confidence with jazz-influenced harmony and rubato.

Tender and protective, with an underlying warmth. The melody unfolds like a confession, and Aaronson's harmonies honor that intimacy while adding jazz colors that make the piece feel alive and conversational rather than sentimental.

Intermediate to early advanced pianists who want to explore standard repertoire with musical depth. Students preparing for recitals, festivals, or auditions benefit from the arrangement's balance of accessibility and artistic substance.

• Shape the melody with subtle dynamic swells rather than dramatic peaks; Gershwin's songs live in nuance.
• Treat the accompaniment as conversational, not mechanical. The syncopated rhythms should feel relaxed and conversational, not rushed.
• Allow space for breathing between phrases, especially in the bridge. This tune asks for storytelling, not just note-reading.

Program this as a solo recital piece that reflects a pianist's growing musical maturity, or pair it with other standards from the collection for a thematic concert exploring American songwriting. It also works beautifully as an encore that audiences will recognize and appreciate.

• Playing with rubato and expressive flexibility in a popular song context
• Interpreting jazz-influenced harmony and voicing
• Balancing melodic singing tone with sophisticated accompaniment patterns
• Phrasing across longer lyrical lines