Begin the Beguine (from "Jubilee") - Piano Solo: Piano Solo
40 Intermediate to Early Advanced Piano Arrangements
Arranged by Sharon Aaronson
Level: Intermediate / Early Advanced
Item: 00-PS-0017312
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Description
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More about this title
About the Composer: Cole Porter
Cole Porter (1891-1964) was an American composer and lyricist whose sophisticated wit and elegant melodic sensibility defined the golden age of Broadway and American popular song. His works blended jazz idioms with classical refinement, creating standards that remain central to the American songbook. Porter's influence on music education extends far beyond Broadway; his harmonic language teaches pianists about chromaticism, reharmonization, and the marriage of popular and concert music traditions.
Why we love this
Aaronson's arrangement of "Begin the Beguine" captures Porter's signature sophistication while remaining genuinely playable at the intermediate level. The rhythmic vitality of the beguine rhythm combined with Porter's chromatic harmonies gives students authentic material that rewards careful attention to voicing and touch. This is the kind of piece that makes pianists understand why jazz standards and theater music belong in any serious repertoire.
What to expect
Sophisticated and inviting, with the gentle insistence of the beguine rhythm pulling you forward. The piece balances rhythmic swagger with romantic warmth, evoking tropical elegance and the refined sensuality that Porter brought to every song. There's an inherent joy in playing Porter; the music practically asks to be shared.
Who it's for
Intermediate to early advanced pianists developing their repertoire in jazz standards and Broadway song. Students preparing for recitals, competitions, or casual performance contexts where stylistic variety and musical maturity matter. Teachers seeking authentic, well-written arrangements that expand students beyond classical solos.
How to get the most out of it
- Feel the beguine's lilting rhythmic lift throughout; resist the urge to rush the syncopated figures, which should feel effortless rather than deliberate.
- Pay particular attention to the harmonic coloring in the arrangement; Porter's chromatic voice leading will sound hollow if played without subtle pedal work that respects the harmonic intent.
- Balance melodic clarity with the accompaniment texture; the beguine rhythm should never overwhelm the song's memorable melody.
How to use it
Pair this with other Broadway standards from the collection for a recital program that showcases American musical theater. The arrangement's intermediate accessibility makes it suitable for student showcases, informal concerts, or festival performances where stylistic breadth enhances the program. Include it alongside art songs or classical works to demonstrate the legitimacy of popular song in piano literature.
Skills your students will build
- Interpreting beguine rhythm and Latin-influenced jazz accompaniment patterns
- Voicing chromatic harmonies with clarity and color
- Balancing melody with rhythmic accompaniment without sacrificing forward motion
- Performing with stylistic authenticity in Broadway and jazz idioms
- Reading and executing syncopated melodic lines with accuracy and phrasing