Selections from <i>Rolling Stone</i> Magazine's 500 Greatest Songs of All Time: Instrumental Solos, Volume 2 Cover Image

Selections from <i>Rolling Stone</i> Magazine's 500 Greatest Songs of All Time: Instrumental Solos, Volume 2: Trumpet Book & CD

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Selections from <i>Rolling Stone</i> Magazine's 500 Greatest Songs of All Time: Instrumental Solos, Volume 2 Cover Image

Selections from Rolling Stone Magazine's 500 Greatest Songs of All Time: Instrumental Solos, Volume 2: Trumpet Book & CD

Arr. various, ed. Bill Galliford

Level: 2-3

Item: 00-30854

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Description
12 of the best songs, all chosen from Rolling Stone® magazine's "500 Greatest Songs of All Time." Titles include: All I Have to Do Is Dream * Blueberry Hill * Dancing Queen * (Your Love Has Lifted Me) Higher and Higher * Hotel California * How Deep Is Your Love * I Got You (I Feel Good) * In the Midnight Hour * (I Can't Get No) Satisfaction * Spirit in the Sky * A Whiter Shade of Pale * You Send Me

An instrumental series arranged for Flute, Clarinet, Alto Sax, Tenor Sax,Trumpet, Horn in F, and Trombone, the arrangements are completely compatible with each other and can be played together or as solos. Each book contains a carefully edited part that is appropriate for the Level 2-3 player, and a fully orchestrated accompaniment CD. The CD includes a DEMO track of each song, which features a live instrumental performance followed by a PLAY-ALONG track.

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Sample Pages

Sample Audio
1 (I Can't Get No) Satisfaction (Tenor Sax) --:--
2 Hotel California (Alto Sax) --:--

(I Can't Get No) Satisfaction (Tenor Sax)

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Sample Video
Additional Details
Series: Rolling Stone Magazine's 500 Greatest Songs of All Time
Publisher: Alfred Music
Page Count: 28
ISBN10: 0-7390-5480-5
ISBN13: 978-0-7390-5480-2
UPC: 038081334035
SKU: 00-30854
Instrumentation: Trumpet

More about this title

Why we love this

Rock and pop standards belong in the trumpet section's repertoire, and this collection makes that case beautifully without requiring advanced technical chops. The song selection spans decades and styles (Motown, British Invasion, disco, classic rock), so students encounter genuine musical variety rather than generic exercises. Pairing accessible arrangements with a full CD accompaniment means intermediate players can sound like professionals from day one.

What to expect

Familiar, celebratory, and instantly gratifying. These are songs people recognize and love, arranged so the trumpet carries the melody with confidence. You get the pleasure of playing something beloved without the intimidation of advanced technique.

Who it's for

Intermediate trumpet students (Level 2-3) ready to move beyond traditional solo literature and connect with music they actually know. Band directors looking to offer students a motivating alternative to classical concerti while keeping the technical demand manageable.

How to get the most out of it

  • Listen to both the demo and play-along tracks before rehearsing. The demo shows you the solo's melodic intent and phrasing, while the play-along provides the exact tempo and harmonic context you'll perform with.
  • Pay attention to dynamics and articulation markings in the part. These songs depend on style and feel, not just correct notes. A crisp tongue on 'I Got You (I Feel Good)' sounds completely different from the legato phrasing that works for 'All I Have to Do Is Dream.'
  • Balance blend with projection. When playing with the CD, your tone needs to cut through the accompaniment, but the arrangement expects you to sit within the orchestration rather than dominate it.

How to use it

Solo and Ensemble festival or winter band concert programming works well, especially if you want students to perform outside the classical tradition. These arrangements also work as a set for a casual pops concert or as motivation-builders during a unit on musical arrangement and reinterpretation.

Skills your students will build

  • Phrasing and stylistic interpretation across rock, pop, soul, and disco idioms
  • Balance and blend when performing with recorded accompaniment
  • Articulation and tonguing variety appropriate to different song styles
  • Reading and executing dynamic and articulation markings that shape melodic character

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