Selections from <i>Rolling Stone</i> Magazine's 500 Greatest Songs of All Time: Instrumental Solos, Volume 2 Cover Image

Selections from <i>Rolling Stone</i> Magazine's 500 Greatest Songs of All Time: Instrumental Solos, Volume 2: Alto Sax Book & CD

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Selections from <i>Rolling Stone</i> Magazine's 500 Greatest Songs of All Time: Instrumental Solos, Volume 2 Cover Image

Selections from Rolling Stone Magazine's 500 Greatest Songs of All Time: Instrumental Solos, Volume 2: Alto Sax Book & CD

Arr. various, ed. Bill Galliford

Level: 2-3

Item: 00-30848

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Description
12 of the best songs, all chosen from Rolling Stone® magazine's "500 Greatest Songs of All Time." Titles include: All I Have to Do Is Dream * Blueberry Hill * Dancing Queen * (Your Love Has Lifted Me) Higher and Higher * Hotel California * How Deep Is Your Love * I Got You (I Feel Good) * In the Midnight Hour * (I Can't Get No) Satisfaction * Spirit in the Sky * A Whiter Shade of Pale * You Send Me

An instrumental series arranged for Flute, Clarinet, Alto Sax, Tenor Sax,Trumpet, Horn in F, and Trombone, the arrangements are completely compatible with each other and can be played together or as solos. Each book contains a carefully edited part that is appropriate for the Level 2-3 player, and a fully orchestrated accompaniment CD. The CD includes a DEMO track of each song, which features a live instrumental performance followed by a PLAY-ALONG track.

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Sample Pages

Sample Audio
1 (I Can't Get No) Satisfaction (Tenor Sax) --:--
2 Hotel California (Alto Sax) --:--

(I Can't Get No) Satisfaction (Tenor Sax)

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Sample Video
Additional Details
Series: Rolling Stone Magazine's 500 Greatest Songs of All Time
Publisher: Alfred Music
Page Count: 28
ISBN10: 0-7390-5478-3
ISBN13: 978-0-7390-5478-9
UPC: 038081334011
SKU: 00-30848
Instrumentation: Alto Sax

More about this title

Why we love this

Rolling Stone's definitive list gives you a curated collection of undeniable hits, each one a song your students already know and want to play. The arrangements sit perfectly in the intermediate range without oversimplifying the melodies, so students feel the satisfaction of playing recognizable music at their level. Having all 12 songs on one CD with both demo and play-along tracks means rehearsal prep is genuinely efficient.

What to expect

Iconic. Each of these 12 songs has shaped popular music history, and playing them feels substantial rather than like an exercise. The melodies are singable and memorable, the harmonic language is straightforward enough to follow, and the rhythms sit comfortably in your range without awkward leaps.

Who it's for

Alto saxophone players working at the Level 2-3 range who want to build sight-reading fluency and performance confidence through familiar, culturally significant repertoire. This book works well for students in middle school through early high school, or adult learners returning to the saxophone.

How to get the most out of it

  • Listen to the demo track first to internalize the original groove and phrasing, then move to the play-along version to lock in with the accompaniment.
  • Pay attention to the orchestration on the CD; the arrangement includes other instruments and voices that will inform your balance and dynamic shape within the ensemble.
  • Mark the chord changes or harmonic landmarks in your part so you can stay grounded when playing along, especially in longer sections.

How to use it

Use individual selections as warm-up pieces in rehearsal or as standalone recital material; the familiarity of these songs makes them excellent confidence builders for students preparing their first public performances. You can also assign them across the band if you have players on flute, clarinet, trumpet, and trombone, since the arrangements are fully compatible.

Skills your students will build

  • Sight-reading at Level 2-3 difficulty with consistent rhythm and melody recognition
  • Phrasing and expression within a structured accompaniment track
  • Listening and ensemble awareness when playing with recorded orchestration
  • Stylistic interpretation across multiple genres (rock, pop, soul, country)

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