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Remember Me: SAB Choral Octavo

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Remember Me: SAB Choral Octavo

Music by Ruth Morris Gray

Item: 00-23587

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Description
Celtic charisma with poetic polish. This reflective Christina Rossetti text sits so naturally with the haunting melody that it's hard to believe one was composed without the other. Each new counterline is finer than the last, creating a multi-layered masterpiece. No individual voicing is better than another so no choir should pass this one up. An optional SoundTrax CD boasts dramatic cymbal flourishes and an agile wooden flute obbligato.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081239101
SKU: 00-23587

More about this title

About the Composer: Ruth Morris Gray

Ruth Morris Gray

Ruth Morris Gray has served as Director of Choirs at Rosemead High School since 2004, where she also teaches piano. She holds a Bachelor of Music in Piano Performance and Composition from Biola University and a Master of Arts in Music Composition from UC Santa Barbara, along with a California Single Subject Music Credential from Cal State Northridge.

With over 100 published choral compositions to her name, Gray has established herself as a prolific voice in contemporary choral writing. Her work balances technical craftsmanship with accessibility, creating pieces that challenge singers while remaining deeply musical. Beyond composition and teaching, she is an active performer and finds creative inspiration through travel, reading, and outdoor pursuits with her husband.

Why we love this

Gray's gift for matching text to melody shines here. The Rossetti poem feels composed into the music rather than set to it, and the counterlines layer so organically that every voice part matters equally. This is the kind of piece that sounds effortless in performance but teaches singers something real about voice leading and textual interpretation.

What to expect

Haunting and meditative, with the quality of a folk ballad elevated by careful harmonies and the lingering presence of its Celtic influences. The piece unfolds with quiet intensity, each layer adding depth rather than volume, creating an almost chamber-like intimacy even in full voice.

Who it's for

SAB choirs seeking a piece with literary substance and rewarding part writing. The three-part voicing makes it accessible to younger or less experienced ensembles, yet the contrapuntal sophistication and poetic depth appeal equally to advanced groups looking for material with genuine artistic weight.

How to get the most out of it

  • Balance the counterlines carefully in rehearsal; because each line is equally compelling, singers often fall into the habit of projecting their own part. Work through sections with different voices singing the melody to clarify the harmonic weaving.
  • The optional SoundTrax accompaniment features a wooden flute obbligato that should be heard as a collaborating voice, not background texture. If using the recording, rehearse with it early and often so singers learn to breathe and phrase around the instrumental line.
  • Honor the reflective character by resisting the urge to rush. This piece asks for emotional maturity; space and silence serve the text as much as the sung notes do.

How to use it

Program this as a centerpiece for a concert focused on literary texts in song, or pair it with other reflective, text-driven works for a first-half program arc. The piece also works well in festival or competition contexts where its artistic restraint and technical clarity reward careful listening.

Skills your students will build

  • Voice independence and counterpoint in three-part texture
  • Textual expression and emotional phrasing with a literary source
  • Harmonic awareness through layered part writing
  • Sustained focus and breath control in slower, meditative tempos

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