Over the Rainbow: SSAB, Opt. a cappella Choral Octavo
As performed by Israel Kamakawiwo'ole
Lyrics by E. Y. Harburg, music by Harold Arlen / arr. Andy Beck
Item: 00-PO-0001015
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Harold Arlen
Harold Arlen wrote melodies that stick with you long after you leave the theater. His gift for crafting singable, memorable lines served him well across Broadway, Hollywood, and American popular song. "Over the Rainbow" stands as one of his most enduring creations, a standard that generations of students encounter and reimagine.
Why we love this
Andy Beck's arrangement captures what makes this song so potent right now: it honors the Kamakawiwo'ole version that resonates with your singers while keeping the original melody intact. The flexibility to go a cappella or add ukulele and guitar lets you build exactly the sound your choir needs, whether you're performing in an intimate setting or a larger concert.
What to expect
Warm and reflective, like late afternoon sunlight. The Hawaiian-inflected harmony sits somewhere between jazz sophistication and folk simplicity, creating an intimate quality even in ensemble settings.
Who it's for
Choirs looking to reach students through contemporary music without sacrificing artistry. This works equally well for groups that want to sing a cappella or those with access to ukuleles and guitars, making it adaptable to different program resources.
How to get the most out of it
- Balance the solo or small group line against the choir's supporting voices. The arrangement is designed to lift the lead without drowning it out, but rehearse separate voice parts first so accompaniment singers stay anchored.
- If you add ukulele or guitar, record a rehearsal mix and listen for blend. The optional instruments can either sit back and shimmer or move forward depending on your ensemble's timbre.
- Shape the dynamics gradually. This song lives in understatement; resist the urge to swell everything. Let the arrangement's divisi moments create texture instead of volume.
How to use it
Program this as a concert opener to establish an approachable mood, or save it for a pops set where it can sit alongside other contemporary and jazz-inflected pieces. It's also natural in a program exploring musical interpretations of standards or a concert celebrating singers who've reimagined classic songs.
Skills your students will build
- Singing divisi voicing within three-part texture
- Balancing solo melody against choral accompaniment
- Shaping long phrases with minimal dynamic change
- Singing optional harmony parts for optional instruments (ukulele/guitar)
- Blend and blend adjustment in a cappella settings