Over the Rainbow Cover Image

Over the Rainbow: Choral Octavo SoundTrax CD

$27.99 USD
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Over the Rainbow Cover Image

Over the Rainbow: Choral Octavo SoundTrax CD

As performed by Israel Kamakawiwo'ole

Lyrics by E. Y. Harburg, music by Harold Arlen / arr. Andy Beck

Item: 00-35629

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Description
Israel Kamakawiwo'ole's Hawaiian-style "Over the Rainbow" has become a prevalent part of today's popular music. Performed in Glee's first season finale by Matthew Morrison and Mark Salling, the unique setting has been sung by several American Idol contestants and featured in many TV shows and movies. In this creative arrangement, a divisi choir accompanies the soloist, duet, or small group, performing a cappella or with optional piano, ukulele, or guitar.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081398259
SKU: 00-35629

More about this title

About the Composer: Harold Arlen

Harold Arlen (1905–1986) composed some of the most enduring melodies in American popular song. Working primarily in musical theater and film, Arlen created standards that have been interpreted across genres and generations, from jazz singers to classical musicians to contemporary pop artists. His gift for writing singable, memorable lines with harmonic sophistication made his work ideal for education settings.

Why we love this

Andy Beck's arrangement captures the warmth and laid-back character of the ukulele version while giving your choir genuine musical work to do. The divisi writing creates rich vocal textures that support a soloist or small group without overwhelming them, and the optional instrumental accompaniments let you scale the production to your resources and rehearsal time.

What to expect

Serene and gently swaying, like an island breeze. The arrangement honors the spare beauty of the ukulele original while adding vocal depth that feels organic rather than ornate.

Who it's for

This works well for mixed or treble choirs at the middle school through adult level who want to program something contemporary and recognizable without sacrificing musical substance. It's equally suited to concert choirs looking for a lighter moment in a program, show choirs wanting accessible material, or any ensemble that values repertoire with genuine cultural resonance.

How to get the most out of it

  • Balance the ensemble divisi voices so the solo line sits naturally forward; the choir should feel like a cushion, not competition.
  • If using the recorded accompaniment, allow rehearsal time for singers to lock into the ukulele-influenced rhythm and the gentle swing of the arrangement.
  • Encourage a relaxed, conversational tone rather than classical choral precision; this arrangement thrives on warmth and intimacy.
  • Consider having your soloist(s) listen to the Kamakawiwo'ole recording multiple times to absorb the phrasing and emotional quality that defines this version.

How to use it

Place this as a change-of-pace moment in a concert where the emotional weight shifts from heavier classical or contemporary choral work. It also pairs naturally with other popular songs or movie music if you're building a thematic program around contemporary culture or cross-genre arrangements.

Skills your students will build

  • Blending divisi parts and balancing ensemble texture
  • Singing with a contemporary, relaxed tone while maintaining pitch
  • Responding to soloist(s) as an accompaniment unit rather than carrying melody
  • Interpreting a recognizable melody in an unfamiliar harmonic context

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