Over the Rainbow Cover Image

Over the Rainbow: SAB Choral Octavo

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Over the Rainbow Cover Image

Over the Rainbow: SAB Choral Octavo

From the Musical The Wizard of Oz

Music by Harold Arlen, lyric by E. Y. Harburg / arr. Mark Hayes

Item: 00-27334

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Description
It's one of the most famous and most widely sung songs in the world, and now it's been arranged for choral groups by Mark Hayes. Includes the opening verse ("When all the world is a hopeless jumble...heaven opens a magic lane."), which sets the stage for that famous opening octave in the melody. The piano part couldn't be better, and the voice writing is impeccable. Fully orchestrated SoundTrax/SoundPax are available.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Over the Rainbow: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081295947
SKU: 00-27334

More about this title

About the Composer: Harold Arlen

Harold Arlen (1905-1986) composed some of the most enduring melodies in American popular music, with a particular gift for writing songs that transcend their original theatrical context to become standards. His collaboration with lyricist E.Y. Harburg on "The Wizard of Oz" produced "Over the Rainbow," a song that has become synonymous with hope and longing across generations of singers and listeners.

Arlen's melodic writing combines jazz influences with accessible lyricism, making his work ideal for choral arrangement. His songs reward singers with memorable lines that sit well in the voice while remaining harmonically sophisticated enough to engage musicians and audiences alike.

Why we love this

Mark Hayes's arrangement honors the song's iconic status while giving SAB choirs genuine musical substance. The inclusion of the opening verse transforms what could be a straightforward pop arrangement into a complete narrative arc, and Hayes's piano writing provides both structural support and musical interest that elevates the whole performance.

What to expect

The song begins with intimate storytelling, painting a world of troubles and confusion before opening into that soaring, yearning melody that defines the piece. There's an inherent optimism in the harmonic language and a sense of longing that connects deeply with singers and listeners, whether they know the original film or encounter it fresh.

Who it's for

This arrangement works for mixed choirs at intermediate level and above who want to program a universally recognized song with genuine choral depth. SAB voicing makes it accessible to groups with limited tenor resources while maintaining satisfying voice writing across all three parts.

How to get the most out of it

  • Shape the verse storytelling: the opening words set mood and context, so allow natural speech rhythm and dynamic contrast before arriving at that famous octave leap.
  • Balance the three parts carefully during the refrain; the melody carries the song's immediate appeal, but the inner voices need sufficient presence to support the harmonic richness Hayes has provided.
  • Collaborate closely with your pianist on the SoundTrax accompaniment if you're using it. The recorded tracks are professionally crafted, but your singers still need to hear how their parts interact with orchestral textures during rehearsal.
  • Let the final cadence breathe. This song's emotional power lives in its endings, and rushing through the close diminishes the moment.

How to use it

This works beautifully as a concert centerpiece that audiences will recognize immediately, making it ideal for spring pops concerts or programs aimed at broader community attendance. Its emotional arc also suits it for inclusion in programs exploring themes of hope, dreams, or American musical theater heritage.

Skills your students will build

  • Singing and sustaining wide intervallic leaps with control
  • Balancing three-part harmony with clear voice independence
  • Maintaining ensemble cohesion while executing rhythmic flexibility in the verse
  • Interpreting lyrics with emotional nuance in a secular pop context
  • Responding to piano accompaniment that drives harmonic and rhythmic structure

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