My True Love Gave to Me: T(T)B(B) Choral Octavo
(What to Do with the Presents?)
By Andy Beck and Brian Fisher
Item: 00-PO-0000089
Minimum order quantity: 20 copies
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More about this title
About the Composer: Andy Beck

Andy Beck directs choral publications at Alfred Music and has composed and arranged over 450 choral works for singers at every level. His output spans secular and sacred repertoire, children's musicals, and foundational resources like Sing at First Sight and Vocalize! 45 Vocal Warm-Ups That Teach Technique. A trained tenor with degrees from Ithaca College and Northwest Missouri State University, Beck serves regularly as a guest conductor, adjudicator, and clinician for honor choirs and all-state groups across the United States and internationally.
Beyond his work at Alfred, Beck performs with the North Carolina Master Chorale Chamber Choir and has directed and sung in musical theatre productions. His dual commitment to choral artistry and music literacy shapes every publication he curates, making his catalog a trusted resource for music educators who demand both musicality and pedagogical integrity.
Why we love this
Beck and Fisher transform a nursery rhyme into something genuinely hilarious without sacrificing musical integrity. The arrangement sits comfortably in mixed lower voices while maintaining the wit and energy that makes this piece memorable for performers and audiences alike. The flexible scoring (TB, TTB, TBB, TTBB) means you can program it whether your ensemble is small or large, and the optional sound effects track pushes the comedy into territory your singers will actually want to rehearse.
What to expect
Lighthearted and mischievous, with a musical sensibility that honors the traditional carol while winking at the audience. The arrangement invites singers into the joke, letting them enjoy the playful subversions of a familiar melody. It's the kind of piece that makes rehearsal feel like a celebration rather than a task.
Who it's for
Directors programming holiday concerts who need a piece that energizes lower voice sections and guarantees audience engagement. Whether you're working with a small chamber group or a full mixed choir using the flexible voicing, this octavo delivers personality and fun without dumbing down the musicianship.
How to get the most out of it
- Treat the comedic timing as seriously as you would any rhythmic element. Clarity of articulation in the humorous passages will land the humor far better than speeding through them.
- If you use the SoundTrax CD, rehearse with it early and often so your singers can lock in to the accompaniment and anticipate the sound effect cues.
- Balance the wit with musicality in the sustained moments. This piece works best when singers commit fully to both the silly and the sincere.
- Create clear visual cues for entrance points, especially during the gifts section where parts enter at staggered moments for comic effect.
How to use it
Plant this in the second half of a winter concert where the energy can sustain a good laugh. It pairs well with more reverent holiday selections, offering contrast and relief while keeping the audience thoroughly entertained. Consider the optional sound effects for performance, or work with your singers to devise creative vocal and physical effects that match your ensemble's personality.
Skills your students will build
- Flexibility across multiple voicing options (TB, TTB, TBB, TTBB)
- Rhythmic precision and clarity in comedic phrasing
- Synchronized ensemble entrances in staggered vocal lines
- Interpretation of text with humor and intention