Mele Kalikimaka Cover Image

Mele Kalikimaka: SAB Choral Octavo

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Mele Kalikimaka Cover Image

Mele Kalikimaka: SAB Choral Octavo

Words and music by R. Alex Anderson / arr. Jay Althouse

Item: 00-32922

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Description
Grass skirts and coconuts, anyone? Now your men can get in on the act with this popular Hawaiian Christmas greeting, featured on Bette Midler's album Cool Yule.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081358307
SKU: 00-32922

More about this title

About the Composer: R. Alex Anderson

R. Alex Anderson composed "Mele Kalikimaka" in 1950, creating one of Hawaii's most enduring contributions to the Christmas musical canon. His work bridged Hawaiian musical tradition with American popular song, helping establish a distinctive island sound that would influence generations of songwriters and performers.

Why we love this

Jay Althouse's SAB arrangement opens this Hawaiian Christmas standard to choirs that don't have a strong tenor section, making it genuinely accessible without losing the infectious warmth of the original. The 12-page octavo gives you room to breathe with the arrangement while keeping rehearsal prep manageable, and pairing it with the available recorded accompaniment means even smaller programs can achieve a polished, holiday-ready sound.

What to expect

Warmth wrapped in major-key simplicity, with just enough rhythmic lilt to suggest ocean breezes and island ease. The melody sits comfortably and sings itself, while the arrangement respects the folk-song DNA underneath without getting precious about it.

Who it's for

Directors building a balanced holiday program who need genuine three-part writing that doesn't condescend to intermediate choirs. This works equally well for school choirs seeking authentic multicultural repertoire and community ensembles wanting a crowd-pleasing opener that sounds more sophisticated than it requires.

How to get the most out of it

  • Balance the melody between soprano and alto voices in passages where both carry primary lines; the octavo layout will show where doubling occurs, so mark those spots in rehearsal to ensure the tune stays clear.
  • Let the rhythm section lock into a relaxed, swaying feel rather than metronomic precision. This style rewards subtle elasticity in the beat.
  • Work the baritone line as its own melodic voice, not as a harmonic afterthought. Anderson's bass writing has character, and singers respond when treated as essential to the sound.

How to use it

Anchor a holiday concert's second half with something that feels like a musical exhale after heavier fare, or open the show with an immediate audience connection and festive energy. It pairs naturally with other secular Christmas standards and gives choirs a chance to explore non-traditional holiday repertoire without stepping too far from familiar ground.

Skills your students will build

  • Maintaining steady pulse in swing or Latin-influenced rhythm patterns
  • Blending three distinct voice parts while preserving melodic clarity
  • Singing with rhythmic accuracy in syncopated passages
  • Performing stylistically appropriate diction and phrasing for popular idioms

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