Mele Kalikimaka Cover Image

Mele Kalikimaka: SSA Choral Octavo

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Mele Kalikimaka Cover Image

Mele Kalikimaka: SSA Choral Octavo

Words and music by R. Alex Anderson / arr. Jay Althouse

Item: 00-32923

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Description
Grass skirts and coconuts, anyone? Now your men can get in on the act with this popular Hawaiian Christmas greeting, featured on Bette Midler's album Cool Yule.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081358314
SKU: 00-32923

More about this title

About the Composer: R. Alex Anderson

R. Alex Anderson composed 'Mele Kalikimaka' in 1950, and the song has since become a standard in Hawaiian Christmas traditions. Anderson's gift for melody and cultural authenticity shaped how this greeting found its way into American popular music, ultimately reaching audiences through recordings by artists like Bette Midler.

Why we love this

Jay Althouse's arrangement opens the door for treble and mixed choirs to perform this widely recognized holiday favorite with genuine charm and accessibility. The SSA/SSAA flexibility means you can program this whether you're working with women's voices alone or a full mixed ensemble, and the recorded accompaniment takes the pressure off piano coverage during busy December schedules.

What to expect

Warm, approachable, and genuinely festive without feeling forced. The Hawaiian melody carries an easy, conversational quality that invites singers and listeners into a moment of genuine seasonal cheer, far removed from traditional winter carols.

Who it's for

Directors programming holiday concerts who want a recognizable, uplifting piece that appeals to audiences of all ages. This works equally well for treble choirs and mixed ensembles, making it ideal for schools with flexible voicing needs or multiple choir sections.

How to get the most out of it

  • Lean into the rhythmic lilt of the Hawaiian language; let the syllables sit lightly rather than forcing them onto a rigid beat, and your ensemble will capture the song's natural swing.
  • Balance the harmony so the melody stays clear and singable. Althouse's arrangement can blur if inner voices overshadow the tune.
  • Use the recorded accompaniment to anchor your tempo during early rehearsals, then gradually build independence so singers feel confident with live piano support.
  • Avoid making this too precious or formal. The energy should feel relaxed and celebratory, like people genuinely greeting each other with joy.

How to use it

Place this as a concert closer or a lighter moment mid-program to reset audience energy. It pairs well with other multicultural holiday selections or stands perfectly on its own as a palate cleanser between more serious choral works.

Skills your students will build

  • Clear diction and articulation in Hawaiian language phonetics
  • Singing with stylistic independence from classical choral traditions
  • Blend and balance in SSA and SSAA voicings
  • Following a recorded accompaniment while maintaining ensemble integrity

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