Lay Some Lovin' On Me: Piano/Vocal/Chords
Bobby Womack
Item: 00-PS-0012095
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Description
Titles:
* American Dream
* Games
* I Wish I Had Someone to Go Home To
* If You Think You're Lonely Now
* It Takes a Lot of Strength to Say Goodbye
* Just My Imagination
* Lay Your Lovin' on Me
* Love Has Finally Come at Last
* Secrets
* So Many Sides of You
* Stand Up
* Surprise, Surprise
* Tell Me Why
* Through the Eyes of a Child
* Trying to Get Over You
* Where Do We Go from Here
* Who's Fooling Who
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More about this title
About the Composer: Bobby Womack
Bobby Womack (1944-2014) was a soul and R&B singer, songwriter, and guitarist whose career spanned five decades. His work in the 1980s, particularly the consecutive releases of The Poet (1981) and The Poet II (1983), established him as a major voice in contemporary soul music and earned him induction into the Rock and Roll Hall of Fame in 2009.
Womack's songwriting reflects deep emotional intelligence and sophisticated harmonic sensibility. His ability to blend soul tradition with contemporary production made him a model for understanding how classic soul material functions across ensemble and solo contexts.
Why we love this
This songbook gives singers and pianist-accompanists direct access to material that defines 1980s soul sophistication. The song collection balances narrative depth with accessible melodic writing, making these pieces rewarding for both performance study and recital programming. Each song stands alone musically while fitting coherently into a thematic evening.
What to expect
These songs carry the warmth and introspection of lived experience. The melodic lines unfold with conversational ease while the harmonies deepen emotional resonance, creating an intimate space where vulnerability and strength coexist. The arrangement of material across 17 songs invites sustained listening and repeated discovery.
Who it's for
Singers preparing solo recitals, jazz vocalists expanding their interpretive range, and accompanists seeking repertoire that demands both technical skill and emotional maturity. This collection also serves pianists and singers studying how soul composition works as a model for contemporary songwriting.
How to get the most out of it
- Pay attention to the harmonic rhythm beneath the melody; soul music thrives when chord changes support rather than race ahead of the vocal line.
- Use the piano voicings in the score as a foundation, then allow rubato in the vocal part to breathe between phrases.
- Explore the storytelling arc of each lyric; the emotional shape of the text often dictates phrasing more than metric regularity.
How to use it
Frame an evening of solo repertoire around one or more selections, or thread individual songs throughout a season of programming. The range of tempos and emotional content makes these pieces valuable for constructing a recital arc that builds and releases tension. Pianists performing for singers preparing auditions will find this collection particularly useful for understanding contemporary soul idiom.
Skills your students will build
- Interpreting soul phrasing and call-response vocal techniques
- Reading and voicing piano chord symbols in contemporary harmonic contexts
- Shaping extended vocal lines over syncopated accompaniment patterns
- Balancing rhythmic precision with expressive freedom in 1980s soul style