I Wish I Had Someone to Go Home To: Piano/Vocal/Chords
Bobby Womack
Item: 00-PS-0012083
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Description
Titles:
* American Dream
* Games
* I Wish I Had Someone to Go Home To
* If You Think You're Lonely Now
* It Takes a Lot of Strength to Say Goodbye
* Just My Imagination
* Lay Your Lovin' on Me
* Love Has Finally Come at Last
* Secrets
* So Many Sides of You
* Stand Up
* Surprise, Surprise
* Tell Me Why
* Through the Eyes of a Child
* Trying to Get Over You
* Where Do We Go from Here
* Who's Fooling Who
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More about this title
About the Composer: Cecil Womack
Cecil Womack co-wrote many of the songs that defined Bobby Womack's artistic peak during the 1980s. Working closely with his brother Bobby and sister-in-law Linda, Cecil helped craft the introspective soul ballads and funk-inflected grooves that earned Womack recognition as one of soul music's most sophisticated voices. His songwriting reveals a gift for melody, lyrical vulnerability, and the kind of emotional specificity that makes a song resonate across decades.
Why we love this
This collection captures the exact moment when Bobby Womack elevated soul music into something deeply personal and musically adventurous. The arrangements sit perfectly for singers who want to explore sophisticated harmony and phrasing without overwhelming complexity, and pianists gain insight into how R&B and soul accompaniment can be both supportive and expressive. Programming these songs introduces students to a catalog that influenced generations of contemporary soul and R&B artists.
What to expect
These songs carry the emotional weight of authentic soul music: introspective, sometimes wistful, and rooted in real human experience. The melodies are memorable and singable, but the harmonies beneath them suggest depth and complexity that unfolds with repeated listening. There's a warmth here alongside the vulnerability, a sense that these are songs about real relationships, real struggles, and real resilience.
Who it's for
This songbook serves singers developing their ability to interpret sophisticated soul repertoire and pianists who want to deepen their understanding of R&B accompaniment styles. It's equally valuable for music students exploring the songwriting craft of a major 20th-century artist and for mature musicians looking to expand their performance catalog with material that rewards thoughtful interpretation.
How to get the most out of it
- Let the piano voicings breathe. These arrangements favor lush chords and space over constant movement; resist the urge to fill every silence.
- Pay attention to the lyrical phrasing in the vocal line. Womack's melodies follow conversational rhythms and often sit slightly behind the beat; match that sensibility in your interpretation.
- Explore the dynamic range available in these ballads. The emotional arc often depends on subtle shifts in volume and intensity rather than dramatic changes.
- Use the chord symbols as a foundation for improvisation. Soul music thrives on personalization; these voicings can accommodate your own touch and interpretation.
How to use it
These songs work beautifully in recitals celebrating African American songwriters and the soul music tradition. You might program a single standout ballad alongside other 1980s-era material, or create a set featuring multiple Womack compositions to demonstrate the breadth of his catalog. The sophistication of the writing makes these appropriate for showcasing advanced vocalists and pianists in formal concert settings.
Skills your students will build
- Interpreting soulful phrasing and behind-the-beat vocal timing
- Reading and voicing jazz-influenced seventh chords and extended harmonies
- Accompanying singers in R&B and soul idioms with appropriate texture and restraint
- Understanding how melody and harmony interact in sophisticated pop and soul composition
- Developing interpretive choices within a notated arrangement