If I Have My Ticket Cover Image

If I Have My Ticket: Choral SoundPax

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If I Have My Ticket Cover Image

If I Have My Ticket: Choral SoundPax

Based on an American Spiritual / arr. Donald Moore

Item: 00-24002

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Description
Parts included are: a. sax., t. sax., tpt., tbn., rhy.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, If I Have My Ticket: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 20
UPC: 038081261065
SKU: 00-24002
Instrumentation: a. sax., t. sax., tpt., tbn., rhy.

More about this title

About the Arranger: Donald Moore

Donald Moore

Donald Moore earned his Bachelor of Music in organ performance and Master of Arts in Teaching from Kent State University. He has served as Organist-Choirmaster at Pilgrim United Church of Christ in Cuyahoga Falls, Ohio, and has established himself as a prolific voice across multiple genres and formats—composing, arranging, and authoring over 500 works published by Alfred Music, Hal Leonard, Heritage Music Press, and others.

Moore's output spans sacred and secular choral music, educational collections, organ and piano works, and eight instructional books. His compositions regularly appear at state and regional festivals, and he has been recognized seventeen times with the ASCAP Composers Standard Award. The American Choral Directors Association named him one of 400 elite composers of historical significance in American choral music.

Why we love this

Moore's brass-forward arrangement breathes fresh energy into a spiritual that's familiar yet often underexplored in choral literature. The inclusion of alto sax, tenor sax, trumpet, trombone, and rhythm section creates a color palette that sits somewhere between traditional gospel and contemporary worship without sacrificing the song's spiritual roots. Your choir gets to experience the text within a fully realized instrumental soundscape that feels both accessible and substantial.

What to expect

Warm, grounded, and alive. The arrangement honors the spiritual's emotional foundation while the brass and rhythm section add an undercurrent of movement and joy. Singers feel supported by full instrumentation that respects the text's dignity.

Who it's for

Choirs with access to brass players or the ability to use the recorded accompaniment will thrive with this arrangement. It suits directors programming spirituals or sacred works that need contemporary energy without abandoning their roots.

How to get the most out of it

  • Balance the brass parts carefully during the opening and closing sections; the rhythmic hits should anchor the singers without overshadowing the vocal melody.
  • Work the rhythm section independently first, especially if you're using the recorded accompaniment. Lock the pocket before layering in the choir's part.
  • Let the alto and tenor sax breathe their own solos or countermelodies. They're not just doubling the choir; they're conversation partners in the arrangement.

How to use it

This arrangement shines in worship services, gospel or spirituals-focused concerts, or multi-genre programs where you want to bridge traditional and contemporary sacred music. It also works well as a closer or feature piece that showcases both your singers and any instrumental ensemble you have available.

Skills your students will build

  • Singing with jazz-influenced swing rhythms and articulation
  • Listening to and responding to brass countermelodies and fills
  • Maintaining ensemble blend when singing over active instrumental accompaniment
  • Interpreting spiritual literature within a contemporary harmonic and rhythmic context

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