I Sing Out Cover Image

I Sing Out: SoundTrax Digital Audio Download

$29.99 USD
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I Sing Out Cover Image

I Sing Out: SoundTrax Digital Audio Download

Words and music by Mark Hayes

Item: 00-A-00015380

$29.99
Digital Download
Description

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
SKU: 00-A-00015380

More about this title

About the Composer: Mark Hayes

Mark Hayes

Mark Hayes brings three decades of experience as a composer, arranger, and conductor to every project he touches. His catalog exceeds 1,750 published works spanning sacred and secular genres, piano literature, orchestral writing, and musical theater. He holds a summa cum laude degree in piano performance from Baylor University and has guest conducted at Lincoln Center, the National Cathedral, and Carnegie Hall, premiering major works including his Requiem at Lincoln Center in 2013 and a commissioned choral orchestral work in Hong Kong in 2015.

Beyond the concert hall, Hayes has contributed to musical theater (orchestrating Madame Buttermilk and arranging We'll Meet Again) and earned recognition for his work on Civil War Voices, which garnered six awards at the Midtown International Theatre Festival in New York. In 2010, Baylor University honored him with the Award for Exemplary Leadership in Christian Music. His particular strength lies in writing for piano, with over 100 books in print across classical, gospel, jazz, and Broadway idioms.

Why we love this

Hayes understands what makes a secular choral piece both singable and memorable. This piece lands in that sweet spot where musical sophistication doesn't require a specialized ensemble, making it accessible for community choirs, school programs, and churches looking to expand beyond traditional sacred repertoire.

What to expect

The piece embodies the clarity and melodic gift Hayes is known for. Expect clean harmonic progressions, accessible ranges, and text that feels natural in the singers' mouths.

Who it's for

This piece serves choirs seeking confident, well-crafted secular material that doesn't require an advanced or specialized ensemble. Directors programming a concert with mixed sacred and secular works will find this fits naturally into a balanced program.

How to get the most out of it

  • Engage with the recorded accompaniment during rehearsal to lock intonation; Hayes's harmonic language rewards a choir that listens closely to the recorded voicing.
  • Shape the text with intention. Secular texts thrive on clear diction and natural phrasing, so allow singers to breathe at logical places rather than strictly at measure lines.
  • If using the optional instrumental parts, introduce them in the final weeks of rehearsal so the choir maintains its foundation and confidence before adding complexity.

How to use it

Consider pairing this with other contemporary secular choral works in a spring concert, or use it as an approachable opener that builds audience connection early. Its emotional directness works well in community settings where accessibility matters as much as artistry.

Skills your students will build

  • Independent part singing within a supported harmonic framework
  • Sustained breath control over lyrical phrases
  • Clarity and precision in text delivery for secular repertoire
  • Following a recorded accompaniment with confidence and flexibility

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