I Sing Out Cover Image

I Sing Out: Choral Octavo SoundTrax CD

$29.99 USD
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I Sing Out Cover Image

I Sing Out: Choral Octavo SoundTrax CD

Words and music by Mark Hayes

Item: 00-38104

$29.99
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Description
From the sensitive opening solo, through the captivating textured polyphony, to the final choral refrain, this contemporary powerhouse teaches an inspiring lesson about the strength of song. "From the very best part of who I am, I sing out!"

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081425764
SKU: 00-38104

More about this title

About the Composer: Mark Hayes

Mark Hayes

Mark Hayes has composed, arranged, and conducted over 1,750 published works across sacred and secular genres. A summa cum laude graduate of Baylor University's piano program, Hayes has guest conducted at Lincoln Center, the National Cathedral, and Carnegie Hall, and in 2010 received the Award for Exemplary Leadership in Christian Music from his alma mater.

Beyond choral writing, Hayes maintains a prolific piano catalog spanning gospel, classical, jazz, and Broadway styles. He has orchestrated and arranged for musical theater, produced recordings, and premiered major works including his Requiem at Lincoln Center in 2013 and a commissioned anniversary work for treble and mixed voices with orchestra in Hong Kong in 2015.

Why we love this

Hayes balances accessibility with genuine artistic substance here. The piece builds from an intimate opening solo through layered polyphony to a final refrain that feels earned rather than imposed, giving singers a satisfying arc and directors a work with real textural variety that still lands as contemporary and singable.

What to expect

The piece opens with quiet introspection before unfolding into richly woven harmonic layers. You hear the complexity build thoughtfully, creating a sense of gathering voices and shared purpose that lands powerfully on the message of the final refrain.

Who it's for

This octavo works for intermediate to advanced high school and adult choral ensembles seeking contemporary secular repertoire with depth. Singers benefit from parts that move beyond unison while the accompaniment recording supports rehearsal and performance flexibility.

How to get the most out of it

  • Protect the solo opening from rushing. The sensitivity of those opening measures sets the emotional foundation for everything that follows.
  • Shape the polyphonic sections by bringing out individual vocal lines without losing the harmonic density. Each voice contributes texture, not just filler.
  • Use the recorded accompaniment to anchor rhythm during rehearsal, especially where the textured middle sections layer multiple part movements.
  • Build the final refrain gradually so the text and melody feel like a natural culmination rather than repetition.

How to use it

Program this alongside a mix of classical and contemporary work to showcase your ensemble's range in texture and style. The inspiring text and accessible performance length make it effective as a concert opener or closing number that leaves an impression without overshadowing paired repertoire.

Skills your students will build

  • Singing sustained solo lines with musical phrasing and control
  • Reading and balancing multiple independent vocal lines in polyphonic writing
  • Blend and intonation across layered harmonic textures
  • Responding to accompaniment cues and maintaining ensemble cohesion with recorded backing

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