I Can See It: Choral Octavo SoundTrax CD

This arrangement captures everything that makes the song work: the building energy, the soaring vocal line, and the emotional payoff. Larry Shackley's 4-hand piano accompaniment gives your singers a lush, fully realized sound that doesn't require a full pit band, making it practical for school and community choirs while keeping the Broadway spirit intact.

Bright, driving, and full of optimistic momentum. The song builds from intimate reflection into something soaring and triumphant, giving singers a genuine arc to perform and audiences a moment of real inspiration.

High school and community choirs seeking contemporary repertoire with strong emotional content and Broadway legitimacy. Directors looking for a showstopper that's achievable with modest accompaniment resources will find this arrangement particularly valuable.

• Build the dynamics gradually through the verse. The accompaniment supports a natural swell, so trust the arrangement's architecture and let your singers follow the curve rather than forcing intensity early.
• Balance the melody across your sections. This song's power comes from unified line singing, so rehearse with attention to blend and intonation rather than individual voices cutting through.
• Use the recorded accompaniment strategically in rehearsal. Work with just piano first to lock in the harmony and phrasing, then introduce the fuller sound to help singers hear how their parts fit into the larger texture.
• Shape the phrase endings with care. Broadway writing relies on clean releases and intentional breath points, so mark these clearly and rehearse them consistently.

Program this as a concert closer or centerpiece. Its Broadway pedigree and uplifting message work well alongside other contemporary choral music, or it can stand alone as the emotional highlight of a mixed concert. The song's accessibility makes it excellent for spring or end-of-year programming when you want something that resonates with both students and audience.

• Sustaining long phrases with consistent breath support
• Balancing melody and harmony within a contemporary harmonic language
• Following an evolving dynamic arc across a multi-section form
• Performing Broadway style with clarity and emotional commitment