I Can See It: SoundTrax Digital Audio Download

This song brings the warmth and singability of Broadway into a choral arrangement that feels contemporary without abandoning the intimacy of Schmidt's original writing. The recorded accompaniment frees you from sourcing a pianist and lets your singers focus entirely on blend and expression.

The song opens with sincerity and builds with quiet conviction. There's an optimistic quality to the melody that feels earned rather than saccharine, supported by harmonies that sit comfortably in the voice without excessive demands.

This song works for mixed or treble choirs at the intermediate level who want Broadway repertoire that doesn't require a pit band. It appeals to directors programming concerts with contemporary theatrical energy or looking for a palate-cleansing piece between classical and pop selections.

• Balance the melody line so it floats above the inner voices rather than pushing through them; this arrangement rewards transparency over volume.
• Let the recorded accompaniment set a natural, conversational tempo in rehearsal so your singers can settle into the song's emotional center before fine-tuning details.
• Mark phrase shapes during early rehearsals so singers understand where lines breathe, especially in passages where accompanying voices sustain beneath a moving melody.

Position this mid-program where you need a mood shift toward warmth and directness. It pairs well with other contemporary choral works or serves as a bridge between classical and pop repertoire in a diverse concert.

• Sustaining legit singing tone across sustained notes without pressing
• Balancing melody and harmony in close voicing
• Maintaining musical shape through a recorded accompaniment
• Singing with theatrical expression without oversinging