I Can See It Cover Image

I Can See It: SAB Choral Octavo

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I Can See It Cover Image

I Can See It: SAB Choral Octavo

From the Musical The Fantasticks

Lyrics by Tom Jones, music by Harvey Schmidt / arr. Larry Shackley

Item: 00-33156

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Description
Featuring an incredible 4-hand piano accompaniment, this arrangement of the driving, hard-hitting, and inspirational hit from the long-running musical The Fantasticks is truly sensational.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 24
UPC: 038081360645
SKU: 00-33156

More about this title

About the Composer: Harvey Schmidt

Harvey Schmidt composed the songs for The Fantasticks, the longest-running musical in American theater history, which opened off-Broadway in 1960 and captivated audiences for over 40 years. His gift for writing memorable melodies combined with Tom Jones's lyrics created a body of work that has become a staple of school and community theater productions worldwide.

Why we love this

This arrangement captures the infectious energy and optimism of the original while remaining thoroughly singable for SAB ensembles. The 4-hand piano accompaniment creates a lush, sophisticated backdrop that feels far more substantial than typical choral accompaniments, giving singers something genuinely exciting to support their voices.

What to expect

Bright, propulsive, and undeniably optimistic. The song captures that moment of clarity and possibility that runs through The Fantasticks, delivered here with harmonic richness and an accompaniment that propels the singers forward with every measure.

Who it's for

SAB choirs looking for contemporary material with genuine Broadway pedigree and a feel-good message that engages audiences. This works for high school, college, and community choirs that want something polished and celebratory without requiring four-part voicing.

How to get the most out of it

  • Balance the part-writing so the melody remains clear; with three parts, layered dynamics will help each voice line breathe without getting buried in the accompaniment.
  • Work the 4-hand piano part early and separately from the choir. A well-rehearsed piano team will anchor the ensemble's confidence and allow singers to focus on shaping their phrases.
  • Lock into the driving rhythmic energy that defines this song. Precision with the accompaniment's rhythmic figures will energize the whole performance.
  • Shape the arc across the full 24 pages; treat build moments and key sections as opportunities to build momentum rather than rushing through them.

How to use it

Include this in a spring or end-of-year concert where you want to leave audiences smiling; the piece's inherent joy and Broadway credentials make it a crowd-pleaser that pairs well alongside both classical and contemporary choral works. It's also ideal for showcase concerts, open houses, or any program that benefits from a high-energy, accessible number with real musical substance.

Skills your students will build

  • Balancing SAB voicing with prominent accompaniment
  • Reading and performing Broadway-style melodic phrasing
  • Ensemble precision with rhythmically driving accompaniment figures
  • Sustaining energy across a longer choral form

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