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Flowers: SATB Choral Octavo

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Flowers Cover Image

Flowers: SATB Choral Octavo

Recorded by Miley Cyrus

Words and music by Michael Pollack, Gregory Aldae Hein, and Miley Cyrus / arr. Alan Billingsley

Item: 00-50747

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Description
"I can buy myself flowers, I can hold my own hand." This Miley Cyrus dance-pop tune broke Spotify's record with over 100 million plays in its very first week, catapulting the funky track to the top of the Billboard Hot 100. With an empowering message of self-reliance, this streaming sensation is sure to strike a chord. Three no-fuss voicings, a small combo SoundPax, and a disco-toned SoundTrax complete the bouquet.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081580616
SKU: 00-50747

More about this title

Why we love this

Alan Billingsley's arrangement captures the infectious energy of a chart-topping hit while keeping the voicing straightforward enough for most choirs to execute confidently. The three voicing options let you program it exactly where it fits in your ensemble, and the empowering lyrical content resonates genuinely with singers rather than feeling like a calculated novelty.

What to expect

Funky and buoyant, with the kind of driving rhythm that makes you want to move. The arrangement channels disco swagger while keeping the vocal writing clean and accessible, creating a piece that feels both radio-friendly and genuinely fun to sing.

Who it's for

Choirs at the intermediate level and above who want to program a contemporary hit with real staying power. This works for groups comfortable with pop idioms and rhythm-driven arrangements, and for singers who connect with an unapologetically modern, empowering message.

How to get the most out of it

  • Lock the groove with your rhythm section from the first rehearsal; the disco-toned SoundTrax will expose any slackness in rhythmic precision, so treat it like a metronome and don't rush.
  • Balance the parts carefully during sectional work so the melody line stays clear without drowning out the supporting voices, especially when the combo SoundPax is playing underneath.
  • Let the recorded accompaniment breathe in spots where the arrangement opens up; don't fight it or layer too much on top of those moments.
  • Lean into the character of each voicing option during rehearsal to help singers understand the harmonic landscape, then commit fully to whichever voicing you're performing.

How to use it

Pair this with your spring or early summer concert to energize a set, or program it as a closing number when you want to send the audience out feeling lifted. The contemporary vibe and infectious groove make it an ideal choice for reaching listeners who might not typically attend choral concerts.

Skills your students will build

  • Reading and executing syncopated rhythms in a pop idiom
  • Locking ensemble rhythm with a recorded accompaniment
  • Balancing parts in a fuller harmonic texture while maintaining melodic clarity
  • Interpreting style and vocal character in contemporary music

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