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Best of Belwin Jazz: Young Jazz Collection for Jazz Ensemble: Horn in F Book

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Best of Belwin Jazz: Young Jazz Collection for Jazz Ensemble Cover Image

Best of Belwin Jazz: Young Jazz Collection for Jazz Ensemble: Horn in F Book

Item: 00-29851

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Description
The Best of Belwin Jazz: Young Jazz Collection includes twelve outstanding jazz arrangements for the young ensemble. Each chart is written by experienced educational jazz arrangers and composers in a variety of styles and tempos: swing, ballad, holiday, rock, Latin and pop. The collection is written for full instrumentation, but can accommodate reduced instrumentation of four saxes, three trumpets, two trombones and three rhythm. Additional optional parts are available for flute, clarinet, horn in F, baritone horn T.C./tenor sax and tuba. The rhythm section parts offer suggestions for rhythms, piano chord voicings and guitar chord frames. All solos are written-out in improvised sections. The conductor's book includes full-length CD recordings of all titles. Titles are: Big Band Holiday * Cantaloupe Island * Count Bubba's Revenge * Drummin' Man * Grooved Pavement * Moondance * My Funny Valentine * Now What * Sambeando * Sing, Sing, Sing * Stompin' at the Savoy * Swingin' Shanty

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Additional Details
Series: Young Jazz Collection for Jazz Ensemble
Publisher: Alfred Music
Page Count: 28
ISBN10: 0-7390-5547-X
ISBN13: 978-0-7390-5547-2
UPC: 038081334844
SKU: 00-29851
Instrumentation: Horn in F

More about this title

Why we love this

This collection gives horn players a genuine role in the jazz ensemble beyond doubling saxes or sitting out entirely. The written-out solos and varied styles mean horn voices are heard as integral voices, not afterthoughts, which builds confidence and engagement in young players.

What to expect

A genuine big band experience with the warmth and sophistication that comes from having full instrumentation working together. The collection swings hard on some charts, floats beautifully on ballads, and grooves in unexpected ways with rock and Latin styles.

Who it's for

Horn players in middle school and early high school jazz ensembles who are ready to move beyond fundamental big band literature. You'll have meaningful parts across a range of tempos and styles, from ballads to Latin and rock grooves.

How to get the most out of it

  • Listen closely to how the saxes and trumpets voice their lines in each chart; your horn part often fills interior harmony spaces that make those solos land harder.
  • In the ballads and swing tunes, focus on locking your tone and articulation with the trombones to anchor the harmonic foundation.
  • Study the written solos before rehearsal so you can voice them with the rhythmic precision and phrasing the arranged sections demand.

How to use it

Build a concert around three or four of these titles to show your community what young jazz ensembles can do stylistically. The variety means you can open with a swinger like Stompin' at the Savoy, move through a holiday tune or ballad mid-concert, and close with something with contemporary edge like Grooved Pavement.

Skills your students will build

  • Reading written improvised solos in jazz notation
  • Voice leading and harmonic awareness in jazz big band contexts
  • Playing with rhythmic precision across swing, ballad, Latin, and rock feels
  • Horn-specific jazz articulation and tone production
  • Listening and balancing with ensemble textures in real time

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