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Best of Belwin Jazz: Young Jazz Collection for Jazz Ensemble: Guitar Book

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Best of Belwin Jazz: Young Jazz Collection for Jazz Ensemble Cover Image

Best of Belwin Jazz: Young Jazz Collection for Jazz Ensemble: Guitar Book

Item: 00-29845

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Description
The Best of Belwin Jazz: Young Jazz Collection includes twelve outstanding jazz arrangements for the young ensemble. Each chart is written by experienced educational jazz arrangers and composers in a variety of styles and tempos: swing, ballad, holiday, rock, Latin and pop. The collection is written for full instrumentation, but can accommodate reduced instrumentation of four saxes, three trumpets, two trombones and three rhythm. Additional optional parts are available for flute, clarinet, horn in F, baritone horn T.C./tenor sax and tuba. The rhythm section parts offer suggestions for rhythms, piano chord voicings and guitar chord frames. All solos are written-out in improvised sections. The conductor's book includes full-length CD recordings of all titles. Titles are: Big Band Holiday * Cantaloupe Island * Count Bubba's Revenge * Drummin' Man * Grooved Pavement * Moondance * My Funny Valentine * Now What * Sambeando * Sing, Sing, Sing * Stompin' at the Savoy * Swingin' Shanty

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Additional Details
Series: Young Jazz Collection for Jazz Ensemble
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7390-5541-0
ISBN13: 978-0-7390-5541-0
UPC: 038081334783
SKU: 00-29845
Instrumentation: Guitar

More about this title

Why we love this

This collection gives guitarists real material to sink their teeth into across a broad stylistic range, from swing standards to contemporary pop and Latin grooves. The rhythm section voicings and chord frames eliminate the guesswork, so players can focus on locking in with the band rather than deciphering lead sheets. Twelve different charts mean you can build a setlist that showcases your ensemble's versatility without hunting through multiple purchases.

What to expect

A tour through the full spectrum of jazz and jazz-adjacent grooves: the crisp snap of swing standards, the lush harmonies of ballads, the propulsive motion of Latin rhythms, and the looser flow of modern pop arrangements. Every chart invites the guitarist to be both a structural anchor and a conversational voice in the ensemble.

Who it's for

Guitar players in young jazz ensembles who are ready to navigate a mixed setlist of swing, ballad, Latin, and pop styles. This book works for players who read lead sheets comfortably and can handle chord-based comping in different feels.

How to get the most out of it

  • Anchor your comping to the suggested chord voicings provided in the book; they're designed to sit cleanly with the piano and bass parts rather than compete with them.
  • Track the written-out solos carefully during rehearsal so you know exactly where to come back in after improvised sections; mark those transitions clearly in your part.
  • Test the balance between your rhythm section early in preparation; young ensembles often struggle with guitar volume cutting through or disappearing entirely depending on amp settings and room acoustics.
  • Listen closely to how the drums and bass establish the pocket on each tune, then position your rhythmic placement relative to theirs rather than pulling away.

How to use it

Build a concert that mixes tempos and moods using selections from this collection; the variety allows you to sustain audience energy across a full set or create a showcase of different jazz styles in a single rehearsal block. The arrangements also work well as rotation material throughout the year, rotating in one or two new charts each month to keep the ensemble's reading sharp.

Skills your students will build

  • Chord comping in swing, ballad, rock, and Latin feels
  • Reading and interpreting guitar chord frames and voicing suggestions
  • Listening for the pocket established by bass and drums
  • Tracking written-out solos and section transitions
  • Adjusting dynamic and rhythmic placement within the rhythm section
  • Navigating chord changes at varying tempos and time signatures

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