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Best of Belwin Jazz: Young Jazz Collection for Jazz Ensemble: B-flat Clarinet Book

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Best of Belwin Jazz: Young Jazz Collection for Jazz Ensemble: B-flat Clarinet Book

Item: 00-29850

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Description
The Best of Belwin Jazz: Young Jazz Collection includes twelve outstanding jazz arrangements for the young ensemble. Each chart is written by experienced educational jazz arrangers and composers in a variety of styles and tempos: swing, ballad, holiday, rock, Latin and pop. The collection is written for full instrumentation, but can accommodate reduced instrumentation of four saxes, three trumpets, two trombones and three rhythm. Additional optional parts are available for flute, clarinet, horn in F, baritone horn T.C./tenor sax and tuba. The rhythm section parts offer suggestions for rhythms, piano chord voicings and guitar chord frames. All solos are written-out in improvised sections. The conductor's book includes full-length CD recordings of all titles. Titles are: Big Band Holiday * Cantaloupe Island * Count Bubba's Revenge * Drummin' Man * Grooved Pavement * Moondance * My Funny Valentine * Now What * Sambeando * Sing, Sing, Sing * Stompin' at the Savoy * Swingin' Shanty

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Additional Details
Series: Young Jazz Collection for Jazz Ensemble
Publisher: Alfred Music
Page Count: 28
ISBN10: 0-7390-5546-1
ISBN13: 978-0-7390-5546-5
UPC: 038081334837
SKU: 00-29850
Instrumentation: B-flat Clarinet

More about this title

Why we love this

This collection assembles twelve jazz standards and originals written specifically for young ensembles, which means the clarinet parts sit in a comfortable range and maintain playability even in up-tempo swing numbers. The range of styles (ballad, Latin, rock, holiday) gives your ensemble exposure to different jazz vocabulary in a single book, so you're not hunting across multiple collections to build a coherent jazz curriculum. Having both written-out solos and rhythm section guidance makes teaching jazz idiom concrete rather than abstract.

What to expect

These arrangements swing with real energy when the rhythm section locks in, and the written-out solos give clarinetists a chance to hear themselves as contributors to the groove rather than background support. Moving from a funky original like "Count Bubba's Revenge" to a ballad interpretation or a Latin chart creates an evening of genuine variety that keeps both players and audience engaged.

Who it's for

Young jazz ensembles working at the high school or advanced middle school level will find these charts accessible without sacrificing musicality or authentic jazz sound. The B-flat clarinet book serves clarinetists who are building jazz fluency alongside their concert band experience and need repertoire that treats them as essential voices rather than optional doublers.

How to get the most out of it

  • Study the full score or conductor's edition to hear how your clarinet voice fits within the ensemble texture, especially on the written-out solo sections where your rhythmic accuracy anchors the groove.
  • Lock the articulation with the other woodwinds on swing eighth notes; listen for the characteristic "laid-back" feel rather than clipping each note short.
  • On ballads like My Funny Valentine, shape your phrasing to follow the accompaniment's chord changes rather than playing straight through phrase lines.
  • Balance your dynamic level against the saxophones in unison or harmony lines; the clarinet can easily disappear if you're playing at concert volume instead of blending with the section.

How to use it

Use this collection as the backbone of a jazz concert or as a section within a mixed concert that pairs well with standard concert band repertoire. The variety of tempos and styles also makes individual charts perfect for curriculum moments: teach swing phrasing with "Stompin' at the Savoy," explore Latin rhythms with "Sambeando," or offer seasonal programming with "Big Band Holiday."

Skills your students will build

  • Jazz articulation and swing eighth-note interpretation
  • Reading written-out jazz solos and understanding phrase shape
  • Ensemble blend and balance within a saxophone/clarinet section
  • Rhythmic precision in groove-based contexts
  • Flexibility across multiple jazz styles and tempos

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