Band Today, Part 3 Cover Image

Band Today, Part 3: E-flat Baritone Saxophone Book

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Band Today, Part 3 Cover Image

Band Today, Part 3: E-flat Baritone Saxophone Book

A Band Method for Full Band Classes, Like-Instrument Classes or Individual Instruction

By James D. Ployhar

Item: 00-CBC00199

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Description
Band Today, Part Three is a basic method book for the advanced- intermediate level of band development. This method book will help develop a sound musical background and teach the musical skills necessary for membership in the more advanced school bands. Band Today, Part Three contains basic major and minor scales in addition to scale studies, rhythmic studies, chromatic scales, articulation studies and technic tunes designed to improve musicianship in a challenging and enjoyable manner. In addition there are studies of contemporary rhythms which will better prepare to play modern compositions by contemporary composers.

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Additional Details
Series: Contemporary Band Course
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7692-2650-7
ISBN13: 978-0-7692-2650-7
UPC: 029156631241
SKU: 00-CBC00199
Instrumentation: E-flat Baritone Saxophone

More about this title

About the Author: James D. Ployhar

James D. Ployhar

James D. Ployhar has shaped instrumental music education through more than 800 published compositions and arrangements. His Contemporary Band Course, now distributed by Alfred Music, serves as a pedagogical standard in the United States and has been adopted internationally, including throughout Norway where it appears in schools in French and Norwegian translations. Ployhar's orchestration expertise developed through collaboration with Knud Havalde of the Danish Royal Philharmonic Orchestra, and his compositions have reached audiences across network television, Europe, Japan, and the Pacific Rim.

Beyond his prolific output as a composer, Ployhar spent over 19 years in public school music education and has maintained an active presence as a clinician and conductor at colleges, universities, and band workshops across North America and Europe. He holds degrees from Valley City State University and Northern Colorado University, with graduate study in composition at California State University-Long Beach. His contributions to the field have been recognized through the National Band Association Citation of Excellence and the Distinguished Alumnus Award.

Why we love this

This book strikes the balance between systematic skill development and musical engagement that makes advanced-intermediate players feel like they're making real progress. Ployhar's inclusion of contemporary rhythms alongside foundational studies acknowledges that your baritone saxophonists need both technical control and the rhythmic literacy required for modern band repertoire. The varied study types prevent practice from becoming rote, keeping players invested in their own growth.

What to expect

The book alternates between disciplined technical work and musical problem-solving that feels purposeful rather than mechanical. Contemporary rhythms and articulation studies give players real challenges that feel connected to the repertoire they're hearing in band rehearsal.

Who it's for

This method book serves advanced-intermediate baritone saxophonists who are preparing for membership in stronger concert bands and need systematic work on scales, rhythmic precision, and the articulation control that contemporary compositions demand. Players working through Part 3 have already built foundational reading and fingering facility and are ready to deepen their musicianship through focused technical study.

How to get the most out of it

  • Establish a consistent long tone foundation before moving through the chromatic scales; a centered, stable tone in the low register sets the player up for success in the upper extensions these studies demand.
  • Approach articulation studies with specific attention to the low B-flat and concert C that live in the baritone's most resonant range; clarity here transfers immediately to larger ensemble work.
  • Use contemporary rhythm studies to bridge rehearsal and transcription; have your baritone saxophonist notate the rhythmic patterns they find tricky and apply them to passages in your current band repertoire.

How to use it

Assign studies from this book as part of a systematic sectional rotation during your rehearsal cycle; a baritone saxophonist working through Part 3 can tackle one rhythmic study or articulation exercise during sectionals alongside whatever ensemble repertoire is on your program. Use the scale and chromatic material to set technical standards for your entire low saxophone section, ensuring that all players (tenor and baritone alike) meet consistent intonation and tone quality expectations.

Skills your students will build

  • Playing major and minor scales with rhythmic accuracy and consistent tone quality
  • Reading and executing contemporary rhythmic patterns (including syncopation and compound meters)
  • Articulation clarity and independence across dynamic ranges
  • Chromatic scale facility across the full range of the instrument
  • Sight-reading confidence in moderately complex rhythmic contexts

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