Band Today, Part 3 Cover Image

Band Today, Part 3: B-flat Bass Clarinet Book

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Band Today, Part 3 Cover Image

Band Today, Part 3: B-flat Bass Clarinet Book

A Band Method for Full Band Classes, Like-Instrument Classes or Individual Instruction

By James D. Ployhar

Item: 00-CBC00194

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Description
Band Today, Part Three is a basic method book for the advanced- intermediate level of band development. This method book will help develop a sound musical background and teach the musical skills necessary for membership in the more advanced school bands. Band Today, Part Three contains basic major and minor scales in addition to scale studies, rhythmic studies, chromatic scales, articulation studies and technic tunes designed to improve musicianship in a challenging and enjoyable manner. In addition there are studies of contemporary rhythms which will better prepare to play modern compositions by contemporary composers.

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Additional Details
Series: Contemporary Band Course
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7692-2652-3
ISBN13: 978-0-7692-2652-1
UPC: 029156270037
SKU: 00-CBC00194
Instrumentation: B-flat Bass Clarinet

More about this title

About the Author: James D. Ployhar

James D. Ployhar

James D. Ployhar has established himself as a central figure in band education through more than 800 published works spanning composition, arrangement, and pedagogy. His Contemporary Band Course, now published by Alfred Music, has become a standard in school band programs across North America and beyond, with translations in French and Norwegian reflecting its international reach. Ployhar studied composition at California State University–Long Beach under Morris Hutchings Ruger and holds degrees from Valley City State University and Northern Colorado University.

Beyond the page, Ployhar has spent nearly two decades teaching in public schools and has conducted clinics and workshops at colleges and universities throughout the United States, Canada, Norway, Germany, and England. His orchestration studies with Knud Havalde of the Danish Royal Philharmonic Orchestra informed his compositional voice, which has been heard on network television and performed internationally in Europe, Japan, and the Pacific Rim. He received the National Band Association Citation of Excellence and the Distinguished Alumnus Award, and maintains membership in the American Bandmasters Association.

Why we love this

Ployhar's Part 3 bridges the gap between foundational band work and the demands of serious ensemble playing without overwhelming students with unnecessary complexity. The book's integration of scale work, rhythmic studies, chromatic passages, and contemporary idioms means students aren't just drilling technique in isolation—they're building the specific tools they'll need to tackle modern repertoire with confidence. At the advanced-intermediate level, this targeted approach saves rehearsal time while deepening musicianship.

What to expect

Working through Part 3 feels like gaining real control over your instrument. The studies are musical enough that they don't feel like drudgery, yet focused enough to reveal exactly where your technique needs refinement. Contemporary rhythms inject energy and relevance, reminding you that classical foundations serve modern composition.

Who it's for

Bass clarinet players in intermediate-to-advanced school band programs who are ready to deepen their technical foundation and expand their range of musical expression. This book serves students transitioning into more demanding ensemble roles and who benefit from targeted scale, chromatic, and rhythmic study rather than starting over with basic methods.

How to get the most out of it

  • Study the scale fingerings in context rather than as separate exercises. Play each scale passage alongside the technic tunes that use those same patterns so the mechanics become musical reflexes.
  • Approach articulation studies as ensemble work from day one. Isolate passages with section mates to lock in uniform tonguing and breath support before blending with full band.
  • Use the contemporary rhythm studies as early exposure to modern notation and feel. Take time to internalize each rhythmic pattern on your instrument before placing it into ensemble context.
  • Mark chromatic scale passages that appear in your band repertoire and reference them in this book. Connecting study materials to real performance builds retention and confidence.

How to use it

Assign Part 3 as the primary study method for your advanced-intermediate bass clarinetist during the bulk of the school year, drawing from it in weekly sectional rehearsals alongside your full band repertoire. Pull specific scale and chromatic exercises to address passages your students will encounter in concert repertoire, turning method work into targeted preparation for programming.

Skills your students will build

  • Major and minor scale fingerings and intonation across the full range
  • Chromatic scale facility and accuracy
  • Contemporary rhythm reading and execution
  • Articulation techniques and uniform tonguing control
  • Technical facility through focused etude work
  • Preparation for modern compositional idioms and styles

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