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Authentic Sounds of the Big Band Era: String Bass Book

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Authentic Sounds of the Big Band Era Cover Image

Authentic Sounds of the Big Band Era: String Bass Book

Item: 00-TBB0016

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Description
Contents: Artistry in Rhythm * Chattanooga Choo Choo * The Elk's Parade * Hawaiian War Chant (Ta-Hu-Wa-Hu-Wai) * I'm Coming Virginia * Little Brown Jug * Moonlight Serenade * My Reverie * One O'Clock Jump * Quaker City Jazz * 720 in the Books * Sing, Sing, Sing (With a Swing) * So Rare * Song of India * South Rampart Street Parade * Stompin' at the Savoy.

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Additional Details
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7692-7185-5
ISBN13: 978-0-7692-7185-9
UPC: 029156150094
SKU: 00-TBB0016
Instrumentation: String Bass

More about this title

Why we love this

This collection gives your string bass section real jazz repertoire from the era when the instrument was essential to swing rhythm sections. The 16 pieces span recognizable standards and deep cuts, so whether your ensemble is just discovering big band swing or already performs it regularly, there's material at every familiarity level.

What to expect

These arrangements capture the propulsive joy and sophistication of 1930s and 1940s swing. From the infectious energy of "Stompin' at the Savoy" to the smoky sophistication of "Moonlight Serenade," each tune carries the character that made big band jazz America's popular music.

Who it's for

String bass players in jazz ensembles, big band programs, and jazz combos who want authentic period repertoire with solid, playable parts. This works for high school and college jazz programs as well as community ensembles seeking reliable swing charts.

How to get the most out of it

  • Listen closely to recordings of these standards, especially the walking bass lines and rhythmic placement on the "and" of beats. The feel matters more than note-perfect execution.
  • Work the bow and pizzicato balance that each arrangement calls for. Some passages require full arco tone; others sit better as sparse, punchy pizzicato figures that lock the rhythm section together.
  • Lock in with your drummer and pianist on the swing eighth-note feel. String bass is the bridge between harmonic and rhythmic layers, so your intonation and time directly affect how tightly the section grooves.

How to use it

Build a full big band concert around this collection, pulling 4-6 pieces to frame a single set or spanning multiple concerts throughout the year. Pairs naturally with wind and brass arrangements of the same standards, so you can coordinate with your full ensemble's repertoire and make every rehearsal feel like an authentic swing session.

Skills your students will build

  • Walking bass lines and foundational swing rhythm patterns
  • Arco and pizzicato technique in jazz contexts
  • Reading and executing syncopated rhythms characteristic of the big band era
  • Listening for and locking into rhythm section grooves
  • Intonation under the demands of jazz ensemble playing
  • Interpreting stylistic swing eighths and dynamic variation

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