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Authentic Sounds of the Big Band Era: 1st Trombone Book

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Authentic Sounds of the Big Band Era Cover Image

Authentic Sounds of the Big Band Era: 1st Trombone Book

Item: 00-TBB0011

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Description
Contents: Artistry in Rhythm * Chattanooga Choo Choo * The Elk's Parade * Hawaiian War Chant (Ta-Hu-Wa-Hu-Wai) * I'm Coming Virginia * Little Brown Jug * Moonlight Serenade * My Reverie * One O'Clock Jump * Quaker City Jazz * 720 in the Books * Sing, Sing, Sing (With a Swing) * So Rare * Song of India * South Rampart Street Parade * Stompin' at the Savoy.

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Additional Details
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7692-6834-X
ISBN13: 978-0-7692-6834-7
UPC: 029156186864
SKU: 00-TBB0011
Instrumentation: 1st Trombone

More about this title

Why we love this

First trombone parts in big band writing sit right in the sweet spot between technical demands and musical storytelling. This collection gives your section the exact repertoire that defined the era, with melodies and counterlines that sound as good played today as they did in the 1930s and 40s.

What to expect

Stepping into these parts is like joining a conversation that's been going on for nearly a century. The melody lines swing with purpose, the section writing creates real ensemble texture, and the variety across 16 standards keeps every rehearsal engaging.

Who it's for

Intermediate to advanced jazz ensemble trombonists who want to build their repertoire with authentic big band charts. This book works equally well for players working through a full big band or for those studying the literature on their own.

How to get the most out of it

  • Balance your tone between the sectional punch needed behind the saxophones and the singing quality required when you're carrying the melody. These charts shift between both roles constantly.
  • Pay close attention to the rhythmic placement of syncopated figures, especially in the swing numbers. The difference between laying back and pushing ahead is everything in this music.
  • Tailor your vibrato width to match the style of each tune. Fast, tight vibrato works for uptempo jumpers like 'One O'Clock Jump,' while a wider, slower vibrato serves the ballad passages in pieces like 'Moonlight Serenade.'

How to use it

Feature your first trombone soloist on one of the melody-forward pieces like 'Chattanooga Choo Choo' or 'So Rare' during a jazz concert, or build an entire program around these charts to showcase your ensemble's command of authentic swing style.

Skills your students will build

  • Reading swing rhythms and syncopated phrasing
  • Balancing lead playing with section cohesion
  • Navigating jazz articulation and tonguing styles
  • Interpreting vibrato and tone color choices within genre conventions
  • Understanding the harmonic function of first trombone lines in big band voicings

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