Accent on Achievement, Book 2 Cover Image

Accent on Achievement, Book 2: B-flat Bass Clarinet Book & Online Audio/Software

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Accent on Achievement, Book 2 Cover Image

Accent on Achievement, Book 2: B-flat Bass Clarinet Book & Online Audio/Software

By John O'Reilly and Mark Williams

Level: Beginning

Item: 00-18260

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Description
Accent on Achievement is a revolutionary, best-selling band method that will excite and stimulate your students through full-color pages and the most complete collection of classics and world music in any band method. The comprehensive review cycle in books 1 & 2 will ensure that students remember what they learn and progress quickly. Also included are rhythm and rest exercises, chorales, scale exercises, and 11 full band arrangements among the first two books. Book 3 includes progressive technical, rhythmic studies and chorales in all 12 major and minor keys. Also included are lip slur exercises for increasing brass instrument range and flexibility. Accent on Achievement meets and exceeds the USA National Standards for music education, grades five through eight. This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Accent on Achievement, Book 2: B-flat Bass Clarinet Book & Online Audio/Software comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

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1 America the Beautiful --:--
2 Yankee Doodle --:--

America the Beautiful

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Additional Details
Series: Accent on Achievement
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7390-0460-3
ISBN13: 978-0-7390-0460-9
UPC: 038081166346
SKU: 00-18260
Instrumentation: B-flat Bass Clarinet

More about this title

About the Authors

John O'Reilly

Mark Williams
Mark Williams stands among the most celebrated composers for school bands and orchestras. He co-authored the widely used Accent on Achievement Band Method and accumulated over 200 published compositions throughout his career. His work spans band, orchestra, and choral music, earning recognition across the educational music world.

Williams built his reputation through extensive clinical work and conducting appearances across North America and beyond. He traveled as a guest conductor to 34 states, 5 Canadian provinces, and Australia, sharing his expertise with students and musicians everywhere. His achievements include winning the Western International Band Clinic's Gralia Competition and receiving multiple ASCAP Special Awards.

Based in Washington state for much of his career, Williams taught music in schools there with a particular focus on elementary band instruction. He earned both a Bachelor of Arts in Education and Master of Education from Eastern Washington University. Beyond composing and teaching, he performed bassoon professionally, including service as a woodwind performer and arranger with the 560th Air Force Band, and served as Conductor and Artistic Director for the Spokane British Brass Band.

Why we love this

Bass clarinet players deserve method material that treats their instrument seriously, and Book 2 delivers exactly that. The comprehensive review cycle keeps students building on earlier concepts without tedium, while the inclusion of 11 full band arrangements across the first two books means your bass clarinetists are never isolated—they're integral to the ensemble from the start. The full-color format and global repertoire selection make practice feel rewarding rather than obligatory.

What to expect

Book 2 has genuine depth beneath its accessibility. Students encounter rhythmic variety that keeps their mind engaged, world music selections that feel culturally grounded rather than watered down, and chorales that develop musicality beyond note-reading. The bass clarinet gets its moment to shine in ensemble contexts rather than serving as background filler.

Who it's for

Beginning to early intermediate bass clarinet players, typically in grades 5-8, who are learning within a concert band setting. This is equally valuable for a student picking up bass clarinet after some experience on soprano clarinet and needing to transition their literacy and technique to the larger instrument.

How to get the most out of it

  • Balance your air stream across the wider bore of the bass clarinet; younger players often overblow the upper register, creating a pinched sound. Dial back the air pressure in passages above the break and let the embouchure do the work.
  • Use the online audio to hear how your part locks into the ensemble arrangement. Bass clarinet parts anchor the woodwind section, and the recorded reference helps students understand their role in the harmonic foundation.
  • Apply the scale exercises to bass clarinet's extended range with attention to tone color consistency. The low register deserves the same focused practice as the clarion register.
  • When tackling the rhythm exercises, layer them with another wind instrument from your band to build internal pulse. This method book is designed for ensemble integration, not solo practice alone.

How to use it

Sequence Book 2 when your bass clarinetists have mastered fundamental fingering patterns and can navigate the clarion register with consistency, typically mid-fall semester in their first year. The 11 band arrangements provide ready-made material for sectional rehearsal and concert programming, so you're not hunting elsewhere for ensemble pieces that match this level. The online audio component makes independent practice more rewarding, reducing the need for constant teacher intervention during rehearsal.

Skills your students will build

  • Reading across the full range of the bass clarinet (low E through upper altissimo)
  • Tone production and embouchure control on an instrument with greater resistance than soprano clarinet
  • Rhythmic precision in mixed meters and syncopated figures
  • Understanding bass clarinet's role in ensemble harmony and balance
  • Sight-reading fluency through systematic progression
  • Music theory fundamentals: major and minor scales, intervals, chord recognition
  • Articulation clarity and style differentiation (legato, staccato, accented)

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